"The Brute Within will be of substantial interest to anyone engaged in the study of emotion, rationality, motivation, and philosophy of psychology, as well as to ancient philosophers."--Jacket.

Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

This book presents an account of normative practical reasons and the way in which they contribute to the rationality of action. Rather than simply 'counting in favour of' actions, normative reasons play two logically distinct roles: requiring action and justifying action. The distinction between these two roles explains why some reasons do not seem relevant to the rational status of an action unless the agent cares about them, while other reasons retain all their force regardless of the agent's attitude. It also explains why the class of rationally permissible action is wide enough to contain not only all morally required action, but also much selfish and immoral action. The book will appeal to a range of readers interested in practical reason in particular, and moral theory more generally.

The author of American Patriot details the life of an innovative U.S. Marine Corps veteran of World War II, the Korean War, and the Vietnam War. From the earliest days of his thirty-four-year military career, Victor “Brute” Krulak displayed a remarkable facility for applying creative ways of fighting to the Marine Corps. He went on daring spy missions, was badly wounded, pioneered the use of amphibious vehicles, and masterminded the invasion of Okinawa. In Korea, he was a combat hero and invented the use of helicopters in warfare. In Vietnam, he developed a holistic strategy in stark contrast to the Army’s “Search and Destroy” methods—but when he stood up to LBJ to protest, he was punished. And yet it can be argued that all of these accomplishments pale in comparison to what he did after World War II and again after Korea: Krulak almost single-handedly stopped the U.S. government from abolishing the Marine Corps. Praise for Brute “Coram captures General Krulak’s striding march across the Marine Corps, and across the American century . . . [and] is a meticulous investigator of the things that drove Brute Krulak, not all of them pretty... Brute is plainspoken and absorbing . . . and captures its subject in strokes that are sharp, simple and often funny.”?Dwight Garner, TheNew York Times “A well-written tale about a complicated yet admirable man.” ?James Srodes, The Washington Times “A revealing-and troubling-portrait of a much-revered figure.” ?Kirkus Reviews

Brute facts are facts that don't have explanations. They are instrumental in our attempts to give accounts of other facts or phenomena, and so they play a key role in many philosophers' views about the structure of the world. This volume explores neglected questions about the nature of brute facts and their explanatory role.

“[A] vivid, massively researched history of ‘hyper-masculine’ sensibility . . . An instructive and provocative view of men’s dark side.” —Peter Filene, Men and Masculinities Are men truly predisposed to violence and aggression? Is it the biological fate of males to struggle for domination over women and vie against one another endlessly? These and related queries have long vexed philosophers, social scientists, and other students of human behavior. In Brutes in Suits, historian John Pettegrew examines theoretical writings and cultural traditions in the United States to find that, Darwinian arguments to the contrary, masculine aggression can be interpreted as a modern strategy for taking power. Drawing ideas from varied and at times seemingly contradictory sources, Pettegrew argues that traditionally held beliefs about masculinity developed largely through language and cultural habit—and that these same tools can be employed to break through the myth that brutishness is an inherently male trait. A major re-synthesis of late nineteenth- and early twentieth-century manhood, Brutes in Suits develops ambitious lines of research into the social science of sexual difference and professional history’s celebration of rugged individualism; the hunting-and-killing genre of popular men’s literature; that master text of hypermasculinity: college football; military culture, war making, and finding pleasure in killing; and patriarchy, sexual jealousy, and the law. This timely assessment of the evolution of masculine culture will be welcomed and debated by social and intellectual historians for years to come. “Pettegrew’s book remains rigorous and passionate in its narration of the historic appeal as well as the immediate dangers of de-evolutionary masculinity.” —American Historical Review

This book tells Hatton's full story and pays tribute with a full biography, the production histories of his five horror movies, artist George Chastain's tribute to other "Brute Men" of the movies, and more.