Let the Ten Commandments command your imagination ... and enrich your life. When the Holy One gave the Torah, no bird chirped, no fowl flew, no ox lowed, not one angel stirred its wing or sang its song. The sea did not roar, creatures did not speak—the whole world was hushed into breathless silence; it was then that the voice went forth: "I am the Lord your God..." —Exodus Rabba 29:9 Even people who claim not to be “religious” will generally maintain that they do observe the Ten Commandments. Why is it that these ten statements, thousands of years old, continue to have such a special hold on us? Here, twelve outstanding spiritual leaders from across the spectrum of Jewish thought bring us to the life and soul of the Ten Commandments' unusual power. In voices that are personal and diverse, they help us take a closer look at the ten utterances that not only touch every aspect of our lives, but also present each of us with a profound challenge. Contributors include: Eugene B. Borowitz • Leonard Fein • Nancy Fuchs-Kreimer • Laura Geller • Lawrence A. Hoffman • Menachem Kellner • Peter S. Knobel • Richard N. Levy • Zalman M. Schachter-Shalomi • Levi Weiman-Kelman

Over a span of thirty years, twentieth-century French philosophers Emmanuel Levinas and Jacques Derrida held a conversation across texts. Sharing a Jewish heritage and a background in phenomenology, both came to situate their work at the margins of philosophy, articulating this placement through religion and literature. Chronicling the interactions between these thinkers, Sarah Hammerschlag argues that the stakes in their respective positions were more than philosophical. They were also political. Levinas's investments were born out in his writings on Judaism and ultimately in an evolving conviction that the young state of Israel held the best possibility for achieving such an ideal. For Derrida, the Jewish question was literary. The stakes of Jewish survival could only be approached through reflections on modern literature's religious legacy, a line of thinking that provided him the means to reconceive democracy. Hammerschlag's reexamination of Derrida and Levinas's textual exchange not only produces a new account of this friendship but also has significant ramifications for debates within Continental philosophy, the study of religion, and political theology.

In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws. Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.

Even people who claim not to be ?religious? will generally maintain that they do observe the Ten Commandments. Why is it that these ten statements, thousands of years old, continue to have such a special hold on us? Here, twelve outstanding spiritual leaders from across the spectrum of Jewish thought bring us to the life and soul of the Ten Commandments? unusual power. In voices that are personal and diverse, they help us take a closer look at the ten utterances that not only touch every aspect of our lives, but also present each of us with a profound challenge. Contributors include: Eugene B. Borowitz ? Leonard Fein ? Nancy Fuchs-Kreimer ? Laura Geller ? Lawrence A. Hoffman ? Menachem Kellner ? Peter S. Knobel ? Richard N. Levy ? Zalman M. Schachter-Shalomi ? Levi Weiman-Kelman

“A novel of epic scope and ambition.”—Kirkus Reviews (starred review) An influential Polish classic celebrates 50 years—and its first English edition As Stone Tablets opens, Istvan Terey, a poet and World War II veteran, is serving as cultural attaché with the Hungarian embassy in Delhi just a few months before his country is torn apart by the Hungarian Uprising of 1956. He is personable and popular with Indians and Europeans, communists and capitalists, but his outspoken criticisms of corruption in the Hungarian government and the embassy threaten to undermine his career. Meanwhile, he has fallen in love with Margit, an Australian ophthalmologist working in India, who is still living through a tragedy of her own: her fiancé died under torture during World War II. Draining heat, brilliant color, intense smells, and intrusive animals enliven this sweeping Cold War romance. Based on the author’s own experience as a Polish diplomat in India in the late 1950s, Stone Tablets was one of the first literary works in Poland to offer scathing criticisms of Stalinism, and was censored when it was first submitted for publication. Stephanie Kraft’s translation opens this book for the first time to English-speaking readers. “A high-paced, passionate narrative in which every detail is vital.”—Leslaw Bartelski Zukrowski is “a brilliantly talented observer of life, a visionary skilled at combining the concrete with the magical, lyricism with realism…a distinguished stylist.”—Leszek Zulinski “A romance fraught with personal and political risk is at the core of this historically important yet previously untranslated novel by a Polish diplomat stationed in India during the Cold War…inspired by the author’s own experiences, Zukrowski’s precise descriptions of India are memorable, and there is a certain throwback appeal to the depictions of diplomacy conducted through telegrams and glasses of whiskey. But it is Zukrowski’s trenchant critique of Stalinism and political message, bold for its time, that make this novel truly noteworthy.”—Booklist