The first part of the book is a straightforward account of the author's personal experiences. The second part is a detailed treatise on the customs of the Tupinambà, their polity, trade, religion, manufactures and warlike undertakings.

First published between 1926-1931, with the invaluable addition of introductions and explanatory notes, maps and appendices, this series makes available in English inaccessible texts of travel from around the globe. 'The variety of the Broadway Travellers becomes more remarkable and refreshing with every new addition to the series. It is possible to range from Bristol to Darien, from China to Peru and to pick a Puritan, a Moslem, a Jesuit or a footman for one's guide. The English denounce the Spanish, the Spanish watch the French, and the Portuguese fight the Dutch. The drama of the three great centuries of discovery - the fifteenth, sixteenth and seventeenth - are revealed by the shrewdest of observers' - The New Statesman.

First published in 1930. The wandering Jew is a very real character in the great drama of history. He has travelled as nomad and settler, as fugitive and conqueror, as exile and colonist and as merchant and scholar. Of necessity bilingual and therefore the master of many languages, the Jew was the ideal commercial traveller and interpreter. Based on the volume of 24 Hebrew texts of Jewish travellers by J D Eisenstein, this volume begins with the ninth century. After the sixteenth century geographical discoveries had made the whole world familiar to most people. Consequently, the wandering Jew becomes less the diplomatist or scientist but still remains a link between the scattered members of the Diaspora. The volume ends in the middle of the eighteenth century and taken as a whole provides a survey of Jewish travel during the Middle Ages. For this translation, some of the texts have been abridged, whilst retaining many of the original notes.

“American history comes to vivid, engaging life in this tale of two interconnected families (one white, one black) that spans from the 1950s to Barack Obama’s first year as president. . . . The complex, beautifully drawn characters are unique and indelible.”—Entertainment Weekly “An astoundingly audacious debut.”—O: The Oprah Magazine • “A gorgeous generational saga.”—New York Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ESQUIRE • FINALIST FOR THE PEN/HEMINGWAY AWARD FOR DEBUT NOVEL Meet James Samuel Vincent, an affluent Manhattan attorney who shirks his modest Irish American background but hews to his father’s meandering ways. James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie. Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again. These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true. With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today. Praise for The Travelers “[A] kaleidoscopic début . . . Porter deftly skips back and forth through the decades, sometimes summarizing a life in a few paragraphs, sometimes spending pages on one conversation. As one character observes, ‘We move in circles in this life.’” —The New Yorker “Porter’s electric debut is a sprawling saga that follows two interconnected American families. . . . Readers will certainly be drawn in by Porter’s sharp writing and kept hooked by the black-and-white photographs interspersed throughout the book, which give faces to the evocative voices.”—Booklist

Zine queen Ayun Halliday confesses the best-and worst-of her globetrotting misadventures. "I laughed hard on nearly every page of this shockingly intimate memoir and deeply funny book." -- Stephen Colbert Ayun Halliday may not make for the most sensible travel companion, but she is certainly one of the zaniest, with a knack for inserting herself (and her unwitting cohorts) into bizarre situations around the globe. Curator of kitsch and unabashed aficionada of pop culture, Halliday offers bemused, self-deprecating narration of events from guerrilla theater in Romania to drug-induced Apocalypse Now reenactments in Vietnam to a perhaps more surreal collagen-implant demonstration at a Paris fashion show emceed by Lauren Bacall. On layover in Amsterdam, Halliday finds unlikely trouble in the red-light district -- eliciting the ire of a tiny, violent madam, and is forced to explain tampons to soldiers in Kashmir -- "they're for ladies. Bleeding ladies" -- that, she admits, "might have looked like white cotton bullets lined up in their box." A self-admittedly bumbling vacationer, Halliday shares -- with razor-sharp wit and to hilarious effect -- the travel stories most are too self-conscious to tell. Includes line drawings, generously provided by the author.