This book presents the first overview of Muslim architecture in Britain, from the earliest examples in the late 19th century, to mosques being built today. Key architectural stages are identified and explained alongside the social history of Muslim settlement and growth. The analysis focuses on the way in which the mosque as a new cultural and architectural form has benefitted into the existing urban fabric of Britain’s towns and cities, and how this new building type has then impacted its urban landscape, socially, culturally and architecturally.The British Mosque is an architectural as well as a social history, and describes the evolution of Britain’s Muslim communities through the buildings they have built. By presenting this architectural narrative for the first time, the book opens up a new field of British Islamic Architecture. The architectural story charts a course from the earliest mosques formed through the conversion of houses, to other large scale conversions through to purpose built mosques and with these the emergence of an Islamic architectural expression in Britain.As the mosque is not solely considered in terms of its architectural style, but also from its social history and cultural meaning, this book provides an observation into the character of British Muslim life and practice and how these have been embodied through its buildings. The future of Islamic architecture in Britain is also considered, and how this will be affected by the growing cultural and social diversification of Britain’s Muslim communities.

What does it mean to be Muslim in Britain today? If the media is anything to go by, it has something to do with mosques, community leaders, whether you wear a veil, and what your views on religious extremists are. But as all our lives become increasingly entwined with our online presence, British Muslims are taking to social media to carve their own narratives and tell their own stories, challenging stereotypes along the way. Follow Me, Akhi explores how young Muslims in Britain are using the internet to determine their own religious identity, both within their communities and as part of the country they live in. Entering a world of Muslim dating apps, social media influencers, online preachers, and LGBTQ and ex-Muslim groups, journalist Hussein Kesvani explores how British Islam has evolved into a multi-dimensional cultural identity that goes well beyond the confines of the mosque. He shows how a new generation of Muslims who have grown up in the internet age use blogs, vlogging, and tweets to define their religion on their terms -- something that could change the course of 'British Islam' forever.

"Islam is the fastest-growing faith community in Britain. Domes and minarets are redefining the skylines of towns and cities as mosques become an increasingly prominent feature. Yet while Britain has prided itself on being a global home of cosmopolitanism and modern civilisation, its deep-rooted relationship with Islam, unique in history, is complex, threatened by rising hostility and hatred, intolerance and ignorance. There is much media debate about embracing diversity in our communities, but what does integration look like on the ground, in places like Dewsbury, Glasgow, Belfast and London? How are Muslims, young and old, reconciling progressive values, of gender equality, individualism, the rule of law and free speech - with literalist interpretations of their faith? And how is this tension, away from the public gaze, unfolding inside mosques today? Ed Husain takes his search for answers into the heart of Britain's Muslim communities. Travelling the length and breadth of the country, Husain joins men and women in their prayers, conversations, meals, plans, pains, joys, triumphs and adversities. He tells their stories here in an open and honest account that brings the daily reality of British Muslim life sharply into focus, a struggle of identity and belonging, caught between tradition and modernity, East and West, revelation and reason"--Publisher's description

This book examines the development of the mosque from the hijra (A.H.1/A.D.622) to the fall of the Umayyad dynasty (A.H.133/A.D.750). The aims of the book are two-fold. Firstly, to consider how those mosques for which we only have literary evidence may be approached for study; and secondly, to trace the development of the mosque in the archaeological record. The archaeological evidence for the mosques at W[asiçt, Isk[af Ban3 Junayd, K[ufa and the Aqâ[a mosque at Jerusalem are examined in detail; there follows an examination of the form and layout of the various types of mosque encountered in the physical record, and a discussion of some architectural influences which may have affected the development of form. The book also considers thosemosques for which no secure archaeological evidence may be cited and attempts to pick apart previous attempted reconstructions of these buildings which were often based on an uncritical approach to the literary sources.

British Muslim activism has evolved constantly in recent decades. What have been its main groups and how do their leaders compete to attract followers? Which social and religious ideas from abroad are most influential? In this groundbreaking study, Sadek Hamid traces the evolution of Sufi, Salafi and Islamist activist groups in Britain, including The Young Muslims UK, Hizb ut-Tahrir, the Salafi JIMAS organisation and Traditional Islam Network. With reference to second-generation British Muslims especially, he explains how these groups gain and lose support, embrace and reject foreign ideologies, and succeed and fail to provide youth with compelling models of British Muslim identity. Analyzing historical and firsthand community research, Hamid gives a compelling account of the complexity that underlies reductionist media narratives of Islamic activism in Britain.

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.

The ideology and history of Britain's main Islamic groups explained. Muslim intellectuals may try to define something called British Islam, but, the truth is that, as the Muslim community in Britain has grown, so has the opportunity to found and run mosques which divide along ethnic and sectarian lines.