Calligraphy and illumination, together with heraldry, comprise the three traditional skills of mediaeval book arts. In this wide-ranging guide they have been brought up-to-date by scribe and illuminator Patricia Lovett. Each section looks back at the historical roots of the subject before considering modern approaches. Manuscripts from The British Library and other sources support the text, which is designed to enable the reader to use this book both as a working guide and a fundamental source of reference. Sections include the range and selection of tools and materials for calligraphy, illumination and heraldry and how to letter. There are practical projects ranging from the simplest through to the more technically advanced, and a detailed reference section explains about the tools and materials including types and selection of papers; selection and care of brushes; colour theory and mixing; and choosing, preparing and stretching vellum.

Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.

What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.

26 expert contributions to this volumes discuss the manuscript book from a variety of angles: as physical object (manufacture, format, writing, and decoration), its purpose and readership, and as a vehicle for particular types of text (history, sermons, medical treatises, law and administration, music).

This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.

This stunningly illustrated new book focuses on 76 intricate, expressive and individual examples of calligraphy from the unparalleled collection of the British Library. The author, a renowned expert on the history of the form as well as a fine calligrapher herself, writes - uniquely - from a practitioner's point of view. Ranging from the Middle Ages, when beautiful calligraphy was a way of celebrating the divine, to the renaissance of the art form by William Morris, to the modern school of calligraphers following in the wake of master typographer Edward Johnston, Patricia Lovett charts the development of calligraphy through the history of European manuscripts. Large-scale full-colour reproductions enable the reader to see the fine detail of each manuscript, and to understand more clearly than ever before the painstaking craft and great artistic skill that were necessary to create these strikingly beautiful pieces of writing.