Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Excerpt from The British Critic, Vol. 21: For January, February, March, April, May and June, 1803 In a clafs by itfelf we mull place the excellent Comic 4d Clem: of fli'cbdeacon Pair; to Clear argn ment, and found theology, partly on the fubjeet of the Calvrnilhc difpute alreadyajluded to, it adds the me rit of fimple arid unalhc'ted Latinity, adapted no lefs to the nature of die cornpofitton, than the topics were to the, times. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The British Critic, Vol. 3: A New Review, for January, February, March, April, May and June, MDCCXCIV No. IV. P. 431. 1 No. VI. P.611. 3; 'no. II. P. 184. Vol.' I. P. I. Pref. P. '150. Vii. [no. V. P. I No. 111. P. 293. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from British Critic, for January, February, March, April, May, and June, 1803, Vol. 21 Of collected volumes of Sermons, our prefent'liflt/ pliers but a few, among which, we fit plaice, without hefitation, to thofe o1.. The heart mul't be cold which is no not fhou'ld-wegadm'ire the head which was impenetra 'ble to their arguments. The pofihumous Sermons of Dr. Sté'vemfl are alfo Of confiderable value; and the difcourfes of Dr. Gardiner will perhaps be read with'little lefs fatisfaétidn than they were originally heard, from the pulpit of a wellattended chapel. Between-volumes thus collected, and difcourfes fingly publifhed, the work of Mr. Pattffonfi forms a kind ofconnecting link. The Sermon is only one; but the Eflays'fubj01ned as notes are thirty-three, which, being for the molt part on fubjeéts of an interefhng kind, form a publication Well calculated to detain the ftudious reader, and employ his thoughts to advan ta e. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.