‘A sheer delight for all kids both big AND small’ Ruth Jones on The Night I Met Father Christmas 'Bubbles with warmth and mischievous humour . . . irresistible' Alexander Armstrong on The Night I Met Father Christmas 'Wonderful, funny, magical' Chris Evans on How I Became a Dog Called Midnight Enter a world of wonder with an instant classic from comedian, actor and bestselling children's author, Ben Miller! Harrison tries his best to be good. He doesn’t steal, he always shares with his sister and he never cheats at board games, but Harrison also has a BIG flaw . . . He can't control his temper! So when he’s given a black hole instead of a balloon at a party, Harrison jumps at the chance to get rid of everything that makes him cross. But when it’s not just things he hates that are disappearing into the black hole but things he loves, too, Harrison starts to realize that sometimes you should be careful what you wish for... An out-of-this-world adventure about twists of fate, time travel and troublesome black holes, Ben Miller's stunning storytelling is brought to life with beautiful illustrations from Daniela Jaglenka Terrazzini. Praise for Ben Miller: 'A magical adventure' Sunday Express on The Day I Fell Into a Fairytale 'Great for reading aloud' The Week Junior on The Day I Fell Into a Fairytale 'A fire-side gem of a story' Abi Elphinstone on The Night I Met Father Christmas 'Fabulous' Sunday Express on The Boy Who Made the World Disappear 'Enchanting, funny and intriguing in equal measure' Philip Ardagh on The Night I Met Father Christmas 'Each of [Ben’s] five books is joyous and thoughtful' Red Magazine

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Taking as its starting point the establishment, in the late 18th century, of philanthropic institutions for the blind, this book traces the development and conduct of voluntary charities for the visually impaired to the first decades of the 20th century. As well as examining the policies and administration of charitable bodies, it also considers external influences - intellectual, social and economic - which shaped their character and practice. Through this detailed study of a single class of disabled person, a considerable contribution is made to the wider literature on the 'mixed economy of welfare' and the history of charity generally. The proper place of the disabled in their society was an issue under discussion throughout the period covered by this book; and it was a question that always aroused uncertainties and disagreements. A systematic historical study of attitudes towards the blind reveals much about the experience of physical disability and society's shifting responses to it.

Throughout this important volume, the author provides an invaluable addition to the limited literature now available on the visual images associated with slavery and abolition, integrated into a sophisticated analysis of their meaning and legacy today. of color images. 150 illustrations.