A Really Cool Notebook/Journal For Women And Girls. Features : 6x9 inches Matte Finish Cover 110 Blank Lined Pages High Quality Interior With Days With "This Notebook Belongs To" 1st Page This really does make an excellent gift, perfect for Christmas, Birthdays or any special occasion!

With more than 250,000 copies sold, this classic exploration of dreams and how to use them has been updated to reflect recent research on dreams and dreaming.

Children’s Dreams teaches readers how to understand and appreciate memorable “big dreams” of childhood. The book introduces readers to the basic psychology and neuroscience of dreaming, then discusses dreams from early childhood through adolescence, exploring why we dream and how dreams can help us enhance creativity and make sense of our lives.

'In all my life, I had never seen anything as beautiful as this grey pony ... 'Gill Caridia and her family are on the move. Gill's father writes the sort of book that literary papers love, but which few people actually buy. And then he writes a detective story that sells so well he buys back the house in the countryside where he grew up. It means change for all the children, but for Gill it means the chance to find horses, and not just horses but to ride at Wembley. But Gill learns that no dream comes without cost. This passionate and vivid story, which takes Gill from the age of 11 to 13, looks at what it really means to own something.

Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

Fantasy author Patricia A. McKillip, the 21st century's response to Hans Christian Andersen, has mastered the art of writing fairy tales -- as evidenced by previous works like The Tower at Stony Wood, Ombria in Shadow, and In the Forests of Serre. Alphabet of Thorn is yet another timeless fable suitable for children and adults alike. In the kingdom of Raine, a vast realm at the edge of the world, an orphaned baby girl is found by a palace librarian and raised to become a translator. Years later, the girl -- named Nepenthe -- comes in contact with a mysterious book written in a language of thorns that no one, not even the wizards at Raine's famous Floating School for mages, can decipher. The book calls out to Nepenthe's very soul, and she is soon privately translating its contents. As she works tirelessly transcribing the book -- which turns out to be about the historical figures of Axis, the Emperor of Night, and Kane, his masked sorcerer -- the kingdom of Raine is teetering on the brink of chaos. The newly crowned queen, a mousy 14-year old girl named Tessera who wants nothing to do with matters of state, hides in the woods as regents plot revolution. The queen's destiny, however, is intertwined with Nepenthe's ability to unravel the mystery of the thorns.

Patricia Volk's glittering memoir, written with charm, panache and wit, juxtaposes the lives of two women - the iconoclastic fashion designer Elsa Schiaparelli and the author's own mother - to tell the story of how young Patricia fashioned herself into a woman. Patricia Volk's mother Audrey was an upper-middle class New Yorker, a great beauty, a perfectionist, and a polished hostess who believed in women doing things the proper way. The iconoclastic Italian fashion designer, Elsa Schiaparelli, on the other hand, never found a rule she didn't want to break. One of fashion's most radical provocateurs, she was a cultural revolutionary who embodied the 'daring'. For Patricia, who read Schiap's 'scandalous' autobiography, Shocking Life, at a tender age, these two women offered fabulously contrasting lessons in everything from fashion, make-up, lingerie, family and entertaining, to love, sex, superstition and gambling - lessons that would stay with her for the rest of her life. Moving seamlessly between the Volks' 1950s Manhattan home and Schiap's astonishing life in New York, Rome and Paris (among pals like Dali, Duchamp, Picasso), The Art of Being a Woman weaves Audrey's notions of female domesticity with Schiap's groundbreaking creative vision to tell the witty, wise and utterly delightful story of how a young girl learned that there is more than one way to be a woman.