A comic tale inspired by Marcel Duchamp's 1923 artwork follows the experiences of a pair of obsessive-compulsive friends during a road trip from Boston to Philadelphia whose fascination with Duchamp's art and ideas is hampered by respective personality quirks. A first novel.

THE RUNAWAY INTERNATIONAL BESTSELLER “The Bride Stripped Bare shows us the inside–out of marriage, infidelity, obsession and taxi drivers (I may never take a cab ride in London again). . . . Few books can be both dark and light. This one dances on the edge, and sometimes crosses it, with much satisfaction to be had on either side.”— Valerie Frankel, author of The Accidental Virgin An explosive novel of sex, secrecy, and escape. A woman disappears. Her car lies abandoned on a remote bluff; no body is found. Known by her family and friends as quiet and self-contained, she has left behind an incendiary diary chronicling a disturbing journey of sexual awakening. The diary opens on her honeymoon in Morocco: she believes herself to be happy—or happy enough, anyway. Swiftly, this security masquerading as love fractures in an act of massive betrayal, only to propel her into a world of desire and fantasy and recklessness. In need of guidance, she finds an unlikely heroine in the anonymous author of a dusty, rare manuscript. Written by a woman in the 1600s, it is a cry from the heart for women to live and love freely. Emboldened, she allows herself to discover the intoxicating power of knowing what she wants and how to get it. The question is, how long can her soul sustain a perilous double life? Coolly impassioned, Bride Stripped Bare tells shocking truths about love and sex. Couched in a deceptively simple style, its gorgeous, incantatory rhythms will make you question whether it is ever entirely possible to know another person.

Octavio Paz conveying “his awareness of Duchamp as a great cautionary figure in our culture, warning us with jest and quiet scandals of the menacing encroachment of criticism, science and even art.” —New York Times Book Review

Each volume in series discusses a famous painting or sculpture in detail, as both image and idea, in its context--whether stylistic, technical, literary, religious, social, or political.

“The most must-read of all must-reads.” —Marie Claire “A kickass debut from start to finish.” —Colson Whitehead, author of The Underground Railroad Lee Cuddy is seventeen years old and on the run. Betrayed by her family after taking the fall for a friend, Lee finds refuge in a cooperative of runaways holed up in an abandoned building they call the Crystal Castle. But the façade of the Castle conceals a far more sinister agenda, one hatched by a society of fanatical men set on decoding a series of powerful secrets hidden in plain sight. And they believe Lee holds the key to it all. Aided by Tomi, a young hacker and artist with whom she has struck a wary alliance, Lee escapes into the unmapped corners of the city—empty aquariums, deserted motels, patrolled museums, and even the homes of vacationing families. But the deeper she goes underground, the more tightly she finds herself bound in the strange web she’s trying to elude. Desperate and out of options, Lee steps from the shadows to face who is after her—and why. A novel of puzzles, conspiracies, secret societies, urban exploration, art history, and a singular, indomitable heroine, The Readymade Thief heralds the arrival of a spellbinding and original new talent in fiction.

"Linda Henderson's work stands out as a truly original contribution. . . . She has enlarged and illuminated our understanding of the most intelligent, elusive, and influential artist of the twentieth century."--Calvin Tomkins, author of "Duchamp: A Biography" "Henderson's book is the most thorough and dedicated analysis ever written about Duchamp's work. It represents the single most complete study of the "Large Glass" and its scientific sources-one that is unlikely to be surpassed."--Francis Naumann, author of "Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction" "In tracing the emergence of Duchamp's artworks from their actual cultural/scientific context, Henderson has produced what is quite simply an indispensable book."--Marjorie Perloff, author of "Wittgenstein's Ladder and Differentials: Poetry, Poetics, Pedagogy" "Among the readers of Linda Henderson's brilliant book, historians of science will be especially rewarded by her thorough research into an area hitherto insufficiently explored-how artists and other laypersons during Duchamp's time came to learn of, and draw upon, the stream of exciting results of early twentieth century science."--Gerald Holton, Harvard University

"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard