Reproduction of the original: The Bride of the Tomb and Queenie’s Terrible Secret by Miller Alexander McVeigh

The Bride of the Sun takes us on a journey to Peru, where Dick Montgomery is hoping to marry his fiancé, Maria-Teresa de la Torre. She is the daughter of a Spanish marquis. Maria-Teresa fires a group of Quichua Indians working in her household, including Huascar, because of their disrespectful behavior. Later the Indians found an Incan king and went to celebrate an ancient ceremony where a virgin bride had to be offered to the Sun King. They choose Maria-Teresa and abduct her. Dick and Maria-Teresa's father's various efforts of saving her go in vain. The two heartbroken men find a ray of hope when Huascar comes to them, offering to help. But can he be trusted? Left with no choice, they put their trust in Huascar, and the rescue began.

The Tomb kicks off the Repairman Jack series that Stephen King calls "one of the best all-out adventure stories I've read in years." Much to the chagrin of his girlfriend, Gia, Repairman Jack doesn't deal with appliances. He fixes situations—situations that too often land him in deadly danger. His latest fix is finding a stolen necklace which, unknown to him, is more than a simple piece of jewelry. Some might say it's cursed, others might call it blessed. The quest leads Jack to a rusty freighter on Manhattan's West Side docks. What he finds in its hold threatens his sanity and the city around him. But worst of all, it threatens Gia's daughter Vicky, the last surviving member of a bloodline marked for extinction. "One of the all-time great characters in one of the all-time great series." --Lee Child At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public’s imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as “The Bride of the Tomb,” the Nick Carter Series, and Edward Stratemeyer’s rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green’s endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott’s pseudonym and authorship of three dime novels special collections competition among publishers A collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.

New York Times bestselling author Katherine Kurtz’s novels of the Deryni have been hailed by Anne McCaffrey as “an incredible historical tapestry of a world that never was and of immensely vital people who ought to be.” Now Kurtz weaves a thrilling conclusion to the epic Childe Morgan trilogy, in which bonds of both magic and loyalty will be put to the ultimate test… Alaric Morgan always knew his purpose in life—to stand alongside the king of Gwynedd. The old king knew that whichever of his sons succeeded to the throne would benefit from having a Deryni at his side. Alaric and the young Prince Brion Haldane were bound together by magic—a magic to be called upon when Brion was most in need. Now eighteen, Brion has ascended to the throne and seven-year-old Alaric has come to court. Through the coming years, both will grow to manhood and come to realize their destinies. Brion will strive to solidify his power and position, seek out a bride to secure his legacy, and ultimately, when faced with an unbeatable foe, call upon Alaric to fulfill his oath. Meanwhile, Alaric slowly learns the extent of his powers and how to use them, and will face the prejudice that many have against Deryni in its ugliest form. He will experience bittersweet first love, great personal loss, and the hard lessons one gains from both. And he will be there to unleash the full power of his Deryni magic at Brion’s command. For Alaric is—and always will be—the King’s Deryni.