First published in paperback by UNM Press in 1976, The Way to Rainy Mountain has sold over 200,000 copies. "The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth. "The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself."--from the new Preface

If a woman wanted revenge, what other weapons could she use other than her body?When she met him, she was the daughter of a traitor who had been exterminated.When he met her, he was the king of the pirates;He pitied her, he doted on her, but in her eyes he was a demon that took over her body and freedom.There were two reasons for her survival: to kill the ruler of her people, and to kill the pirates who had tainted her life.And years later, when the Dwarf had been captured and the pirates were overpowering, this drifting feeling would rest in whose heart.

From Kannada's first Jnanpith award winner, a landmark of modern fiction that documents a vanishing world. When Hoovayya and Ramayya return from their studies in the city to their ancestral home, much has changed, throwing the even tenor of village life out of joint. The entry of Subbamma, the young wife of much-married Chandrayya Gowda into the House of Kanooru, sets in motion an irrevocable chain of events which signify the coming of age of a resolutely traditional society. Acutely conscious of the burden of their education amidst the torpor of manorial life, the brothers are forced to witness the descent into cruelty of Chandrayya Gowda, who breaks old familial ties, and demands an impossible fealty. The petty meanness of the Gowda s old age and the idealistic vitality of youth confront each other when Hoovayya and Ramayya both fall in love with Seethe, their childhood playmate, with disastrous consequences for the manor house of Kanooru. The epic conflicts of a decaying feudal order are seen through a multiplicity of characters, and voices that refuse to be silenced. The first stirrings of change in the lives of the Belas, the highland plantation workers and their labouring women, the proud Shudra landowners, the secretive and predatory Agrahara of the Brahmins, are dramatized by a humane eye sensitive to the slightest nuance. The House of Kanooru is ultimately a moving tribute by one of Kannada s greatest writers to the spirit of modernity. Translated from the Kannada by B.C. Ramachandra Sharma and Padma Ramachandra Sharma.

Through detailed analysis of local processes of interaction between Nuba and Arabic groups it gives new light to concepts such as Islamization and Arabization. The local processes affecting the economic and cultural survival of the Lafofa are presented in the context of the wider political history of the Nuba Mountains, and the position of the Nuba in the Sudanese society.

The sensational second novel in Joan Johnston’s Western historical romance series set in the world of Bitter Creek. CAN SECRETS AND SECOND CHOICES EVER LEAD TO LOVE? After three months in a mail-order marriage, Hannah Wentworth McMurtry is a widow—pregnant, alone, and near death in the Wyoming wilderness. Though she is saved by a man with a face cut from stone, she still grieves the husband who died on their journey west. Hannah needs a husband, but does she dare marry another stranger? Flint Creed has also lost someone he loved—when the woman he hoped to marry chose his younger brother instead. Now he must find a ranch wife of his own. But every female in the remote Wyoming Territory is too old, too young, or already married . . . until he discovers Hannah on the prairie. Flint doesn’t pretend to love her, but he doesn’t tell her he loves another woman, either. Hannah doesn’t pretend to love him, but she doesn’t tell him about the child she carries. Though danger surrounds them on the Wyoming frontier, the greatest threats of all are the secrets within—revelations that could destroy the new life Hannah and Flint have begun to cherish. The passionate Westerns in Joan Johnston’s Bitter Creek series can be enjoyed together or separately, in any order: TEXAS BRIDE • WYOMING BRIDE • MONTANA BRIDE • SINFUL • SHAMELESS • BLACKTHORNE’S BRIDE • SULLIVAN’S PROMISE