with a Postcript coauthored by Michael W. Goheen In print for two decades and translated into eight languages, Albert Wolters's classic formulation of an integrated Christian worldview has been revised and expanded to reach new readers beyond the generation that has already benefited from this clear, concise proposal for transcending the false dichotomy between sacred and secular. Wolters begins by defining the nature and scope of a worldview, distinguishing it from philosophy and theology. He then outlines a Reformed analysis of the three basic categories in human history -- creation, fall, and redemption -- arguing that while the fall reaches into every corner of the world, Christians are called to participate in Christ's redemption of all creation. This Twentieth Anniversary edition features a new concluding chapter, coauthored with Michael Goheen, that helpfully places the discussion of worldview in a broader narrative and missional context.

Atonement. For some this word is the heart of the Christian faith. For others, it is irrelevant for Christianity and how they live their Christian lives. Often we do not see "the breadth and depth" of the atonement in the gospel. Christian D. Kettler, in his fourth book on "the vicarious humanity of Christ," suggests that we consider that the atonement is not only a vicarious death in our place and on our behalf--whether in the form of a "penal substitute" or a "moral example"--but also his vicarious humanity, having atoning significance for all of our lives, indeed, all of reality: the church, the world, and the self. These essays are collected from several years of Kettler's thought on the doctrine of the vicarious humanity of Christ and its implications for all of life and reality, seeking to demonstrate that the doctrine of the atonement is not to be restricted to one small part of the doctrinal agenda, but has profound implications that theology sometimes does not explore. These issues include the nature of culture, aesthetics, creation out of nothing, spiritual formation, emotional weakness, the priesthood of Christ and creation, genetic engineering, and trusting in the "ideal" self.

DIV“A fresh, revelatory, golden eagle’s eye-view of western literature.” —Financial Times/divDIV Early in Grammars of Creation, George Steiner references Plato’s maxim that in “all things natural and human, the origin is the most excellent.” Creation, he argues, is linguistically fundamental in theology, philosophy, art, music, literature—central, in fact, to our very humanity. Since the Holocaust, however, art has shown a tendency to linger on endings—on sundown instead of sunrise. Asserting that every use of the future tense of the verb “to be” is a negation of mortality, Steiner draws on everything from world wars and the Nazis to religion and the word of God to demonstrate how our grammar reveals our perceptions, reflections, and experiences. His study shows the twentieth century to be largely a failed one, but also offers a glimpse of hope for Western civilization, a new light peeking just over the horizon./div

The predominant “stewardship model” of creation is the result of an intentional effort to correct approaches that reinforce human sovereignty and the resulting environmental degradation. However, as All God’s Creatures argues, the stewardship model actually does not offer a correction but rather reinscribes many of the very same pitfalls. After close analysis of the stewardship model, this book identifies scriptural, theological, and philosophical sources to support the adoption of a “community of creation” paradigm. Drawing on postcolonial theory, this book proposes the concept of “planetarity” as a framework for conceiving the relationship between human and nonhuman creation, and the Creator, in a new way. This theoretical framework is grounded by a retrieval of the medieval Franciscan theological and philosophical tradition. The result is what can be called a postcolonial Franciscan theology of creation imagined in terms of planetarity, providing a constructive and nonanthropocentric response to the need for a new conceptualization of the doctrine of creation.

A tyrant’s rebel daughter embarks on a race across an artificial galaxy in this “ambitious, compulsively readable” space opera trilogy debut (Guardian, UK). In the vast, artificial galaxy called the Spin, a rebellion has been crushed. Industrialist tyrant Viklun Hass is eliminating all remnants of the opposition—starting with his maverick daughter. But Fleare Hass has had time to plan her next move. And so begins her journey from exile to the very frontiers of a new war. For hundreds of millions of years, the planets and stars of the Spin have been the only testament to the god-like engineers who created them. Now, beneath the surface of a ruined planet, one of their machines has been found . . . and the Spin will never be the same . . .

In the increasingly secular age in which we live, it is all too easy to forget that the major disciplines of science were founded

The T&T Clark Handbook of the Doctrine of Creation provides an expansive range of resources introducing the doctrine of creation as understood in Christian traditions. It offers an examination of: how the Bible and various Christian traditions have imagined creation; how the doctrine of creation informs and is informed by various dogmatic commitments; and how the doctrine of creation relates to a range of human concerns and activities. The Handbook represents a celebration of, fascination with, bewilderment at, lament about, and hope for all that is, and serves as a scholarly, innovative, and constructive reference for those interested in attending to what Christian belief has to contribute to thinking about and living with the mysterious existence named 'creation'.