For six-year-old Noah McAllister, May 8, 1954, begins as any other ordinary day in Dawson, Georgia. However, this day is anything but ordinary. Like a bolt of lightning, tragedy is about to strike! No one in town will be left untouched, least of all the McAllister family. As Noah makes the quarter-mile trek home from school, he is unaware that just yards away, hidden behind the solid oaks that line the dirt lane leading to the McAllister farm, someone is watching. At first, lost in a private daydream, he doesnat hear the muffled whimper, or see the melon crate tucked in among the trees. When the sound comes again, he looks up and spies the crate. He rushes excitedly toward it, believing it contains a puppy or kitten. Instead, he finds an abandoned baby. Suddenly, a dark car explodes from behind the trees and careens onto the road. A second later itas gone, leaving behind a trail of dust as the only evidence it had been there at all. And so begins the chain of events that lead to murdera]and the downfall of the McAllister family.

The true crime story of the kidnapping, rape, and murder of a Missouri teen and her family’s journey to justice. In the early hours of March 22, 1989, two friends—career criminals with violent felony convictions—drove around the eastern Kansas City area in a stolen car committing a series of crimes. The weather was mild for late March in Kansas City; the sky was clear, and there was the pale remnant of a Full Moon that bore the dubious name of Death Moon, the last full moon of winter. A little before 7 a.m., fifteen-year-old Ann Harrison walked to the end of her driveway on Kansas City’s east side to wait for the bus to take her to Raytown South High School. Ten minutes later, she disappeared but no one saw what happened. As if waiting for her return, her belongings were still stacked carefully by the side of the road. By the Side of the Road is the true crime story of the kidnapping, rape, and murder of Ann Harrison and the long journey forced upon her family who had to wait nearly three decades to see her killers brought to final justice.

NEW YORK TIMES BESTSELLER • BOOKER PRIZE NOMINEE • From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection. Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

ISHMAEL JONES IS ON THE CASE. Paranormal private detective Ishmael Jones is invited to his employer's country house for Christmas just in time to become embroiled in a locked-room mystery with a supernatural twist. CALL HIM ISHMAEL . . . Ishmael Jones. He's used to keeping a low profile, living under the radar and on the dark side of the road. He makes his living solving mysteries and uncovering dark secrets some would prefer to stay hidden. But when he's invited by his employer—a man known only as "The Colonel"—to spend Christmas at the Colonel's sprawling country house, Ishmael Jones decides to come in from the dark for some holiday cheer. Jones arrives at the remote Belancourt Manor in the midst of a blizzard only to discover that the Colonel has gone missing. It soon becomes clear that the guests are harboring dark secrets—and that it will be up to Ishmael Jones to stop a savage killer. A locked-room, country house mystery with a supernatural twist as only Simon R. Green could write it. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Simon R. Green: “A macabre and thoroughly entertaining world.” —Jim Butcher on the Nightside series “A splendid riddle wrapped in a mystery inside an enigma, conveyed with trademark wisecracking humor, and carried out with maximum bloodshed and mayhem. In a word, irresistible.” —Kirkus, Starred Review of Simon R. Green's Night Fall “[F]or those who want a fantasy-genre mash-up that doesn’t slow down.” —Booklist on From a Drood to a Kill “Simon R. Green is a great favorite of mine. It’s almost impossible to find a writer with a more fertile imagination than Simon. He’s a writer who seems endlessly inventive.” —Charlaine Harris

A Black immigrant journeys from the Caribbean to Canada—and through multiple musical personas—in a “deeply moving” memoir “suffused with poetic prose” (Publishers Weekly, starred review). As a clever, willful boy in a tiny village in the tropical forests of Trinidad—raised by his indomitable grandmother, Miss Excelly, and her King James Bible—Antonio Michael Downing is steeped in the legacies of his scattered family, the vibrant culture of the island, and the weight of its colonial history. But after Miss Excelly’s death, everything changes. The eleven-year-old seems to fall asleep in the jungle and wake up in a blizzard: he is sent to live with his devoutly evangelical Aunt Joan in rural Canada, where they are the only Black family in a landscape starkly devoid of the warm lushness of his childhood. Isolated and longing for home, Downing begins a decades-long journey to transform himself through music and performance. A reunion with his birth parents, whom he’s known only through story, closes more doors than it opens. Instead, Downing seeks refuge in increasingly extravagant musical personalities: “Mic Dainjah,” a boisterous punk rapper; “Molasses,” a soul crooner; and, finally, an eccentric dystopian-era pop star clad in leather and gold, “John Orpheus.” In his mid-thirties, increasingly addicted to escapism, attention, and sex, Downing realizes he has become a “Saga Boy”—a Trinidadian playboy archetype—like his father and grandfather before him. When his choices land him in a jail cell, Downing must face who he has become. “Lush language and sensory details make the fascinating events of this memoir pop. An authentic, entertaining, and timely account of a creative immigrant’s experiences.” —Booklist “Downing’s elegant, engaging memoir will have particular significance to readers from the Caribbean diaspora, but it will be understood by any reader who has ever had their world suddenly upended and needed to make it whole again.” —Library Journal “A rich memoir about how far some folks have to travel just to arrive where they began.” —Minneapolis Star Tribune

Sex. Violence. Scandal. These are words we rarely associate with the sacred text of the Bible. Yet in this brilliant new book, Jonathan Kirsch shows that the Old Testament is filled with some of the most startling and explicit stories in all of Western literature. These tales of seduction and rape, voyeurism and exhibitionism, intermarriage and illegitimacy, assassination and murder have been suppressed by religious authorities throughout history precisely because they are so shocking. "You mean that's in the Bible?" is the common reaction of the contemporary reader to the stories that Kirsch retells and explores. In The Harlot by the Side of the Road, Kirsch recounts these suppressed and mistranslated tales in the grand storytelling tradition. Here is the tale of Dinah, the young Israelite daughter raped by a princely suitor. The price for her hand in marriage? The circumcision of every man in his kingdom. Here, too, is the story of Lot's daughters, who, when faced with the possibility that they are the last survivors on earth, must copulate with their drunken father to continue their race. And the story of Tamar, the harlot by the side of the road, who must disguise herself as a prostitute and seduce her father-in-law in order to bear the child who has been promised her. Kirsch places each story within the political and social context of its time, and delves into the latest biblical scholarship to explain why each story was originally censored. He also brings to light when and where each story was first written down, and how it found its way into the Bible. And he shows how these stories have something important to say to contemporary readers who might never pick up a Bible. Kirsch reveals that the Bible's real power lies in its unflinching lessons in human nature. And he illuminates the surprising modernity of the Bible's characters: these were, like us, people delicately balanced between their destructive and generous natures. Certain to excite controversy and ignite intellectual debate, The Harlot by the Side of the Road will undoubtedly be one of the year's most talked-about books.