When a party commemorating the anniversary of a gruesome killing at the infamous Boy Meets Girl Inn ends in a bloodbath, Noelle Dixon’s diary becomes the key piece of evidence. But the cryptic entries suggest there’s more to the bizarre case than can be rationally explained.

'A gruesome, blackly funny, utterly original feminist horror story ' New York Times , Notable Book of the Year 'A buzz-worthy and ferocious horror comedy from one of the genre's most promising voices' Buzzfeed Abby Lamb has done it. She's found the Great Good in her husband, Ralph, and together they will start a family and put all the darkness in her childhood to rest. But then the Lambs move in with Ralph's mother, Laura, whose depression has made it impossible for her to live on her own. She's venomous and cruel, especially to Abby, who has a complicated understanding of motherhood given the way her own, now-estranged, mother raised her. When Laura takes her own life, her ghost starts to haunt Abby and Ralph in very different ways. Ralph is plunged into depression, and Abby is being terrorized by a force intent on taking everything she loves away from her. With everything on the line, Abby must make the ultimate sacrifice in order to prove her adoration to Ralph and break Laura's hold on the family for good.

In this darkly comic story about how we value female labour—and don’t—a new mother becomes embroiled in a dangerous mystery when her friend, a controversial entrepreneur, goes missing. When her daughter Lotte was born, Dani had welcomed the chance to be a stay-at-home mother. To be good at something, for once. But now Dani can’t stop thinking about her seemingly healthy husband, Clark, dropping dead. Not because she hates him (not right now, anyway), but because it’s become abundantly clear to Dani that if he dies, she and Lotte will be left destitute. And then Dani discovers The Temple. Ostensibly a yoga centre, The Temple and its guardian, Renata, are committed to helping people reach their full potential. And if that sometimes requires sex work, so be it. Finally, Dani has found something she could be good at, even great at; meaningful work that will protect her and Lotte from poverty, and provide true economic independence from Clark. Just as Dani is preparing to embrace this opportunity, Renata disappears. And Dani discovers there might be something else she’s good at: detective work.

A NEW YORK TIMES BEST BOOK OF THE YEAR • A darkly funny take on mothers and daughters, about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law. “A quirky, gruesome, utterly original feminist horror experience.” —The New York Times Book Review When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish. When Laura takes her own life, her ghost haunts Abby and Ralph in very different ways: Ralph is plunged into depression, and Abby is terrorized by a force intent on destroying everything she loves. To make matters worse, Mrs. Bondy’s daughter is threatening to move Mrs. Bondy from the home, leaving Abby totally alone. With everything on the line, Abby comes up with a chilling plan that will allow her to keep Mrs. Bondy, rescue Ralph from his tortured mind, and break Laura's hold on the family for good. All it requires is a little ingenuity, a lot of determination, and a unique recipe for chicken à la king…

Teddy Bear Cannibal Massacre is an anthology of the best upcoming writers exploring the dark side of stoners, zombies, killer clowns, Disneyland, werewolves in night clubs, the Golden Age of Hollywood, and Scottish hermit crabs. Includes new work by Roberta Rogow, Brian Rosenberger, Tim Johnson, C.C. Parker and Jenifer Jourdanne among others. Table of Contents Formaldehyde by C.C. Parker Doof Doof Doof by Paul Haines Peppercorn Rent by Roberta Rogaw Rats, Wrong Alley by Tim Johnson Brilliant Suspension by Trina Shealy Orton Blue Elephants by Jenifer Jourdanne Hermetic Crab by Cameron Hill Head Drippers by Rob Steussi Something Funny is Going On by Brian Rosenberger Clob by Michael Stone Berries Under Snow by William Brock

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

How do psychoanalysts act during analysis? When does treatment start? How long does a session or treatment last? How much does it cost? What does analytical interpretation entail? What is the final aim of analysis? These are the main issues Antonio Quinet addresses for clinical psychoanalysts and students in training. This is not a do-it-yourself book or a step-by-step manual, but rather an examination of Freudian and Lacanian techniques based on psychoanalytical theory and ethics. The ideas examined are grounded in the structure of subjectivity, and the basic assumption that analysts have taken their own analysis to the end. It is from thereon that the will have the analyst's desire as a practicla tool for their own clinical practice. Antonio Quinet's contribution regarding the start of treatment comes from his updated examination of Freudian concepts through Lacanian mathemes. This approach has made this book's first version a best seller in Brazil, with over 30,000 copies sold.