In a long sequence of prose poems, questionnaires, and standardized tests, The Boy in the Labyrinth interrogates the language of autism and the language barriers between parents, their children, and the fractured medium of science and school. Structured as a Greek play, the book opens with a parents' earnest quest for answers, understanding, and doubt. Each section of the Three Act is highlighted by "Autism Spectrum Questionnaires" which are in dialogue with and in opposition to what the parent perceives to be their relationship with their child. Interspersed throughout each section are sequences of standardized test questions akin to those one would find in grade school, except these questions unravel into deeper mysteries. The depth of the book is told in a series of episodic prose poems that parallel the parable of Theseus and the Minotaur. In these short clips of montage the unnamed "boy" explores his world and the world of perception, all the while hearing the rumblings of the Minotaur somewhere in the heart of an immense Labyrinth. Through the medium of this allusion, de la Paz meditates on failures, foundering, and the possibility of finding one's way.

"In a long sequence of prose poems, questionnaires, and standardized tests, The Boy in the Labyrinth interrogates the language of autism and the language barriers between parents, their children, and the fractured medium of science and school. Structured as a Greek play, the book opens with a parents' earnest quest for answers, understanding, and doubt. Each section of the Three Act is highlighted by "Autism Spectrum Questionnaires" which are in dialogue with and in opposition to what the parent perceives to be their relationship with their child. Interspersed throughout each section are sequences of standardized test questions akin to those one would find in grade school, except these questions unravel into deeper mysteries. The depth of the book is told in a series of episodic prose poems that parallel the parable of Theseus and the Minotaur. In these short clips of montage the unnamed "boy" explores his world and the world of perception, all the while hearing the rumblings of the Minotaur somewhere in the heart of an immense Labyrinth. Through the medium of this allusion, de la Paz meditates on failures, foundering, and the possibility of finding one's way"--

The Labyrinth is a unique vision of a dystopian future from one of the most sought-after visual storytellers in the world. A world covered by ruins and ash, the remnants of an otherworldly phenomenon that has ravaged the earth’s atmosphere and forced the few survivors deep underground. Matt, Sigrid and Charlie leave the safe harbour of the enclave for an expedition onto the wastelands of the surface world. During their journey they are forced to confront dark secrets from the time before civilization’s fall. Simon Stålenhagis the internationally acclaimed author and artist behind Tales From the Loop, Things From the Flood and The Electric State. He is world-renowned for his highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian landscapes. Perfect for fans of everything from Stranger Things to Jurassic Park to Westworld. PRAISE for SIMON STALENHAG 'Tales has the magic. It's got the robots, the weirdness, the dinosaurs. But most of all, it has the wonder. No one who picks this book up will be the same person when they put it down again' NPR on Tales from the Loop 'No words to describe this novel in pictures. Stahlenhag defined a whole new aesthetic for scifi in the 21st century' Damien Walter on The Electric State 'A chilling, unforgettable visual and narrative experience' Locus on The Electric State Stalenhag's 'stories crawl into my brain and mess with my memory of history, time and place' NPR on The Electric State

From the UK Children's Laureate comes a spellbinding YA novel in verse blending the ancient myth of Theseus and the Minotaur with the quest of a modern-day teen in search of his father. Theo, a seventeen-year-old London schoolboy with a single mother, is desperate to track down the father who left them, whom he scarcely remembers. At school he discovers Greek mythology and the ancient story of Theseus, a fatherless son driven on a similar search. As Theo focuses on Theseus in a series of poems he composes, it becomes clear the two journeys echo each other in uncanny ways. Theseus must conquer his enemies--a psycho Cyclops, a tree-bending murderer, a monstrous pig--while Theo is tricked and double-crossed, confronting obstacles ranging from a search-agency scam artist to a depraved lawyer. Poet Joseph Coelho brilliantly interweaves the boys' stories, following them through dangers, horrors, and false successes, revealing that Theo must be as resourceful and strong as his mythical hero. In a unique twist, readers are asked to take a role in picking which option the heroes should pursue when facing choices on their path to manhood. The two alternating stories, along with stories from the Minotaur's perspective, fuse into one in a riveting climax, as the protagonists meet in the heart of the labyrinth.

“Kindl inventively meshes classical myths, archeological findings and imaginative speculation in an intriguing tale full of mystery and emotion.” —Publishers Weekly Last night I saw my sister, who is dead. She stood at the end of a long corridor, weeping. “Can it really be you, Ariadne, come back after all this time?” I whispered. She did not answer, but began slowly to sink through the floor. Princess Xenodice is content to spend her days tending to the animals in the royal menagerie, haunting the workshop of a beautiful young man named Icarus, and visiting her brother who lives in the Labyrinth. Her safe and privileged world, however, has ominous cracks underfoot. Soon battles for power and revenge threaten everything Xenodice loves. Betrayals from both within and without her family lead to a series of tragedies that Xenodice struggles to avert. From the deepest layer of the Labyrinth under the Royal Palace to the topmost floor of the prison tower, this enthralling version of the myth of the maze and the Minotaur by master storyteller Patrice Kindl is filled with the marvelous and the strange. “It’s Xenodice’s strong, appealing character that will get readers through the maze; her first-person narration brings the ancient setting vividly to life with rich detail and timeless emotions—sibling rivalry, heart-pounding crushes, moral outrage, and the pain of family secrets. An intriguing . . . blend of history, myth, and fiction.” —Booklist “Readers who know the legend will enjoy the parallels and contrasts that occur throughout, but the strong storytelling lets Xenodice’s tale stand on its own, as well.” —School Library Journal