Winner of the prestigious Prix Femina, The Boy is an expansive and entrancing historical novel that follows a nearly feral child from the French countryside as he joins society and plunges into the torrid events of the first half of the 20th century. The boy does not speak. The boy has no name. The boy, raised half-wild in the forests of southern France, sets out alone into the wilderness and the greater world beyond. Without experience of another person aside from his mother, the boy must learn what it is to be human, to exist among people, and to live beyond simple survival. As this wild and naive child attempts to join civilization, he encounters earthquakes and car crashes, ogres and artists, and, eventually, all-encompassing love and an inescapable war. His adventures take him around the world and through history on a mesmerizing journey, rich with unforgettable characters. A hamlet of farmers fears he’s a werewolf, but eventually raise him as one of their own. A circus performer who toured the world as a sideshow introduces the boy to showmanship and sanitation. And a chance encounter with an older woman exposes him to music and the sensuous pleasures of life. The boy becomes a guide whose innocence exposes society’s wonder, brutality, absurdity, and magic. Beginning in 1908 and spanning three decades, The Boy is as an emotionally and historically rich exploration of family, passion, and war from one of France’s most acclaimed and bestselling authors.

A Newbery Honor Book * Booklist Editors’ Choice * BookPage Best Books * Chicago Public Library Best Fiction * Horn Book Fanfare * Kirkus Reviews Best Books * Publishers Weekly Best Books * Wall Street Journal Best of the Year * An ALA Notable Book A young outcast is swept up into a thrilling and perilous medieval treasure hunt in this award-winning literary page-turner by acclaimed bestselling author Catherine Gilbert Murdock. The Book of Boy was awarded a Newbery Honor. “A treat from start to finish.”—Wall Street Journal Boy has always been relegated to the outskirts of his small village. With a hump on his back, a mysterious past, and a tendency to talk to animals, he is often mocked by others in his town—until the arrival of a shadowy pilgrim named Secondus. Impressed with Boy’s climbing and jumping abilities, Secondus engages Boy as his servant, pulling him into an action-packed and suspenseful expedition across Europe to gather seven precious relics of Saint Peter. Boy quickly realizes this journey is not an innocent one. They are stealing the relics and accumulating dangerous enemies in the process. But Boy is determined to see this pilgrimage through until the end—for what if St. Peter has the power to make him the same as the other boys? This epic and engrossing quest story by Newbery Honor author Catherine Gilbert Murdock is for fans of Adam Gidwitz’s The Inquisitor’s Tale and Grace Lin’s Where the Mountain Meets the Moon, and for readers of all ages. Features a map and black-and-white art by Ian Schoenherr throughout.

When Nathan discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures. Yet, as he flicked through the pages, there was another story being written. In the margins of each book were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. Terence wrote jokes and hints for adventurers following the same stories as him. More troubling, among the notes were intimations of a tormented childhood: of the boys and teachers who bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in. THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.

An unfathomable loss or an unthinkable crime? Tami Hoag keeps you guessing in this harrowing New York Times bestselling thriller. When Detective Nick Fourcade enters the home of Genevieve Gauthier outside the sleepy town of Bayou Breaux, Louisiana, the bloody crime scene that awaits him is both the most brutal and the most confusing he's ever seen. Genevieve's seven-year-old son, KJ, has been murdered by an alleged intruder, yet Genevieve is alive and well. Meanwhile, Nick's wife, Detective Annie Broussard, sits with the grieving Genevieve. A mother herself, Annie understands the devastation this woman is going through, but as a detective she's troubled: Who would murder a child and leave the only witness behind? When KJ's sometimes babysitter, twelve-year-old Nora Florette, is reported missing the very next day, the town fears a maniac is preying on their children. With pressure mounting from a tough, no-nonsense new sheriff, the media, and the parents of Bayou Breaux, Nick and Annie dig deep into the dual mysteries. Is someone from Genevieve's past or present responsible for the death of her son? Is Nora a victim, or something worse? Then everything changes when Genevieve’s past as a convicted criminal comes to light. Could she have killed her own child to free herself from the burden of motherhood, or is the loss of her beloved boy pushing her to the edge of insanity? Could she have something to do with the disappearance of Nora, or is the troubled teen the key to the murder? How far will Nick and Annie have to go to uncover the dark truth of the boy?

From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called "utterly unforgettable," comes The Boy Book, the second book in the uproarious and heartwarming Ruby Oliver novels. Here is how things stand at the beginning of newly-licensed driver Ruby Oliver's junior year at Tate Prep: • Kim: Not speaking. But far away in Tokyo. • Cricket: Not speaking. • Nora: Speaking--sort of. Chatted a couple times this summer when they bumped into each other outside of school--once shopping in the U District, and once in the Elliot Bay Bookstore. But she hadn't called Ruby, or anything. • Noel: Didn't care what anyone thinks. • Meghan: Didn't have any other friends. • Dr. Z: Speaking. • And Jackson. The big one. Not speaking. But, by Winter Break, a new job, an unlikely but satisfying friend combo, additional entries to The Boy Book and many difficult decisions help Ruby to see that there is, indeed, life outside the Tate Universe.

A spine-tingling tale of book bonding. In this wordless story, a little boy finds a book that he loves at the library. It’s a match made in kid lit heaven. But not for the book. Sometimes the little boy’s excitement gets the better of him and the book suffers from possibly too much love: bent pages, tears, hugs, tossing, and shaking. The poor book requires first aid from his friends. Every time the boy comes to the library, the books hide and plan escape routes. But when the book gets away from imminent danger in the boy’s hands, the look of loss in the boy’s eyes is enough to turn a tragic tale into a love story. The boy soon learns that the book is not just an object and is so much more on the inside. He loves the story the book gives him more than the fun he had playing with it. Bob Kolar’s charming and hilarious illustrations show how sometimes our love for a good book can be too much, but with a more gentle touch, books can give us much comfort and joy.

Anna has always been a risk-taker and a free spirit, but now she is raising a young daughter on her own and she has to play it safe. Her twenty-something neighbor with the slow, easy smile is in no way part of Anna's plans. She resists temptation in every way she can, yet Anna is soon drawn into a reckless and obsessive affair. Provocative, headlong, and utterly compelling, The Boy is the story of a woman on the edge, torn between love and compulsion, desire and duty. Lara Santoro writes in "hypnotic and swiftly paced" prose (Daniel Woodrell) about the hazards of passion and motherhood and about one woman's unthinkable rebellion. "Gorgeous, fiercely intelligent, deeply honest, and incredibly entertaining." -- Anne Lamott