Manuel Nuñez’s life changes forever on the day his parents trust him enough to reveal a secret; they are Jews. Brought up as a Christian during the Spanish Inquisition of the 17th century, Manuel is surprised, but proud when he learns of his family’s true heritage. Manuel’s family must observe their Jewish traditions in secret, for if they are discovered they will be punished – or worse. Manuel’s safety is further threatened when he falls in love with Violante, the sister of a suspected witch. Being with Violante gives Manuel joy, but also brings him and his family even closer to the Inquisitors.

Volume two of Isidore of Seville's Etymologies, books XI-XX plus Index of Latin words.

Billy River has hit rock bottom. Ten years earlier, he achieved his dream of fighting in Madison Square Garden, but the great Hector Gomez turned his dream into trauma, disfiguring Billy's face and leaving him with a disabling brain injury. Downing double shots of Jack in a smoky bar and shadowboxing with his failed life, Billy shares the story of his shattered life with a dancer and the bouncer. Billy has lost his identity, his wife is about to divorce him, his son despises him, and God seems like an impotent voyeur watching his suffering. Billy fears he is becoming his father, the man he called the "wrath of God," and that he will end up like his sister, who committed suicide. With the help of his two unlikely companions, Billy fights to save his family, discover a God capable of blowing the roof off his heart, and come to terms with his childhood traumas. His son's disappearance and near-death experience is a turning point for Billy and his friends as they face choices and events that could lead to Billy's self-destruction or renewal through forgiveness.

A child's narrative of his trip around the world.

"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.