This book came into this world October 18, 2014. It was a difficult story to tell because of the shifting moods of the characters and situations. To go from And there was my grandmother, the very definition of misery. The apartment she lived in was given to her by my uncle, her son, but she took us in when we had no place to live. She had her own story: To go to; Because we were so poor there was no money for toys. My uncle Jess bought me a red fire truck, the kind you sit in and peddle. I was not allowed to take it into the street so I drove it on the roof of that garage next door, our private playground going round and round. I loved that truck as it was the only toy I had. Boy, poverty sucks but has its advantages: you learn to live without things and it makes you strive for more, willing to do anything to get out of poverty. Everything this book is, is to relay the total experience of the piece, the happiness, the sadness, and most of all the fear. With situations like; When they got to me they wrapped me up in a quilt and hung me out of the window with only the pressure of the window holding me up. Erics family lived on the eighth floor of their building so if I fell I would most assuredly be dead from the fall. I could see down as my head was partially hanging out of the quilt, a crowd started to gather below. It is also meant to be a tribute to the Brave men and women in the Armed Forces and Law Enforcement. I try to bombard your senses with strong feelings of what life was like for these people with involvements such as; I thought to myself this is a murder assignment and I was right! We were there for one reason and one reason only: to eliminate the enemy, to win this war by attrition. The book is for the reader to get completely involved with each situations gravity. Thank You Adrien Martin Watch now The Boy From Brooklyn's book trailer: https://www.youtube.com/watch?v=uu1UGCK4h90&feature=youtu.be

The definitive picture book biography of Dr. Anthony Fauci, the director of the National Institute of Allergy and Infectious Diseases and one of the most crucial figures in the COVID-19 pandemic. Before he was Dr. Fauci, director of the National Institute of Allergy and Infectious Diseases, Anthony Fauci was a curious boy in Brooklyn, delivering prescriptions from his father’s pharmacy on his blue Schwinn bicycle. His father and immigrant grandfather taught Anthony to ask questions, consider all the data, and never give up—and Anthony’s ability to stay curious and to communicate with people would serve him his entire life. This engaging narrative, which draws from interviews the author did with Dr. Fauci himself, follows Anthony from his Brooklyn beginnings through medical school and his challenging role working with seven US presidents to tackle some of the biggest public health challenges of the past fifty years, including the COVID-19 pandemic. Extensive backmatter rounds out Dr. Fauci’s story with a timeline, recommended reading, a full spread of facts about vaccines and how they work, and Dr. Fauci’s own tips for future scientists.

It is 1945 in Long Beach, New York, when three-year-old Brian Farley receives the scare of a lifetime. As little Brian bounces on his fathers stomach in a second-floor bedroom of their summer house, his father suddenly loses his grip, sending Brian out through the screen window and onto the sand below. As the summer house, normally a place of peace and respite, disrupts into chaos, little Brian has no idea that this particular event is just one of the many escapades he will experience growing up as an Irish Catholic boy in Brooklyn and Long Beach. Brian embarks on a memorable coming-of-age journey as the Farleys spend their winters in a borough thats undergoing many changesthe influx of Puerto Ricans, neighborhood deterioration, and the desertion of the Brooklyn Dodgersand their summers in paradise at their grandparents summer home. As Brian matures and falls in love with a beautiful, Puerto Rican classmate, only time will tell if their relationship will survive his mothers judgment and the shifting demographics of Brooklyn. But it is only after the family matriarch suddenly dies that everything Brian has ever known suddenly changes. In this compelling story, as a Brooklyn boy matures into adulthood amid a warm, loving, and sometimes conflicted New York family, he soon discovers he is responsible for his own happiness.

At age sixteen, Bill German began publishing a Rolling Stones fanzine out of his bedroom in Brooklyn. And when he presented an issue to the band on a street in New York, he obviously made an impression: before he knew it, the Stones had hired him to document their career, inviting him in to the studio and to their private jam sessions. He traveled the world with them, stayed at their homes, and, for almost two decades, witnessed their wild parties and nasty feuds. Yet through it all, he never lost his identity as that “nice boy from Brooklyn.” Under Their Thumb is a fish-out-of-water tale about a fan who wanted to know everything about his favorite rock group—and suddenly learned too much. This updated edition, published to mark the Stones’ sixtieth anniversary, features forty new pages of text and more than thirty never-before-seen photos.

Follow the growth and fortune of Aaron Scholssberg as he moves from boyhood to early adulthood, from domestic turmoil to gutsy independence, from Brooklyn to Manhattan and the open sea. The story records the shaping of a young sensibility under the influence of a powerful place and time. While laying out a boy's moral and romantic journey, Brooklyn Boy also pays homage to and is a personal mapping of a legendary site. Aaron's history is Brooklyn's.

A COLONY OF SOCIAL TRUST In the middle of the last century, 62,000 Norwegian immigrants and their families dominated a section of Bay Ridge, a neighborhood in the borough of Brooklyn. Their primary distinction was expressed through social trust, a characteristic that is often uncommon today throughout this country and around the world. Adolf Hansen was born into this colony and lived there until he graduated from high school. His experience of trust began during his preschool years with trust in his mother and father; continued with trust in others in the colony throughout his time in grade school; developed trust more fully within himself in junior high, as others trusted him; and then evolved in his trust in God, and God's trust in him in high school. This development of social trust was not unique to this predominantly Protestant colony. It was replicated in the lives of his peers and their families, as well as thousands of others in the colony. Similar experiences were also present in the lives of Italian Catholics and Eastern European Jews with whom he connected in the neighborhood. Experiences of social trust are at the core of this book!

“A terrific production . . . American playwright Donald Margulies’ self-reflective, dream reverie comedy drama Brooklyn Boy is tough, insightful, bittersweet, funny and ultimately wise.”—The Hollywood Reporter “Those who know Margulies’ plays will find his familiar themes here: the inevitable transformations wrought by aging, the complex hands linking parents and children, the uneasy dance between commercial and artistic success. The story unfolds with an uncanny resonance that distinguishes all great theatre.”—Orange County Register This new play by the Pulitzer Prize-winning author of Dinner with Friends is slated for a Broadway run in January 2005. Brooklyn Boy follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame. Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Two Days. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.