The book "" The Boy Chums in the Florida Jungle or, Charlie West and Walter Hazard with the Seminole Indians "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The Scouts, Henri Trouville and Billy Barry, use their flying skills to fight the enemy around the world during World War I.

Wilmer M. Ely's 'The Boy Chums in the Gulf of Mexico. or, On a Dangerous Cruise with the Greek Spongers' is an adventurous tale set in the maritime world of the early 20th century. Ely's vivid descriptions of the Gulf of Mexico and the Greek sponging industry come alive through the eyes of young protagonists, offering a captivating blend of nautical exploration and cultural encounters. The book is written in a brisk and engaging style, making it a suitable read for both young adult and adult audiences, seeking an escape into a bygone era of seafaring adventures. Wilmer M. Ely, a prolific writer of his time, drew inspiration from his own travels and experiences to craft compelling narratives that captured the spirit of adventure. His keen interest in maritime activities and exploration shines through in 'The Boy Chums', underscoring his dedication to bringing authentic and thrilling stories to readers. I highly recommend 'The Boy Chums in the Gulf of Mexico' to fans of classic adventure literature and maritime fiction. Ely's masterful storytelling and attention to detail make this book a must-read for those who enjoy tales of courage, friendship, and high-seas escapades.

One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.

Hal and Chester undertake a number of missions in Europe just after the Americans enter World War I.