An unfathomable loss or an unthinkable crime? Tami Hoag keeps you guessing in this harrowing New York Times bestselling thriller. When Detective Nick Fourcade enters the home of Genevieve Gauthier outside the sleepy town of Bayou Breaux, Louisiana, the bloody crime scene that awaits him is both the most brutal and the most confusing he's ever seen. Genevieve's seven-year-old son, KJ, has been murdered by an alleged intruder, yet Genevieve is alive and well. Meanwhile, Nick's wife, Detective Annie Broussard, sits with the grieving Genevieve. A mother herself, Annie understands the devastation this woman is going through, but as a detective she's troubled: Who would murder a child and leave the only witness behind? When KJ's sometimes babysitter, twelve-year-old Nora Florette, is reported missing the very next day, the town fears a maniac is preying on their children. With pressure mounting from a tough, no-nonsense new sheriff, the media, and the parents of Bayou Breaux, Nick and Annie dig deep into the dual mysteries. Is someone from Genevieve's past or present responsible for the death of her son? Is Nora a victim, or something worse? Then everything changes when Genevieve’s past as a convicted criminal comes to light. Could she have killed her own child to free herself from the burden of motherhood, or is the loss of her beloved boy pushing her to the edge of insanity? Could she have something to do with the disappearance of Nora, or is the troubled teen the key to the murder? How far will Nick and Annie have to go to uncover the dark truth of the boy?

From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called "utterly unforgettable," comes The Boy Book, the second book in the uproarious and heartwarming Ruby Oliver novels. Here is how things stand at the beginning of newly-licensed driver Ruby Oliver's junior year at Tate Prep: • Kim: Not speaking. But far away in Tokyo. • Cricket: Not speaking. • Nora: Speaking--sort of. Chatted a couple times this summer when they bumped into each other outside of school--once shopping in the U District, and once in the Elliot Bay Bookstore. But she hadn't called Ruby, or anything. • Noel: Didn't care what anyone thinks. • Meghan: Didn't have any other friends. • Dr. Z: Speaking. • And Jackson. The big one. Not speaking. But, by Winter Break, a new job, an unlikely but satisfying friend combo, additional entries to The Boy Book and many difficult decisions help Ruby to see that there is, indeed, life outside the Tate Universe.

Winner of the prestigious Prix Femina, The Boy is an expansive and entrancing historical novel that follows a nearly feral child from the French countryside as he joins society and plunges into the torrid events of the first half of the 20th century. The boy does not speak. The boy has no name. The boy, raised half-wild in the forests of southern France, sets out alone into the wilderness and the greater world beyond. Without experience of another person aside from his mother, the boy must learn what it is to be human, to exist among people, and to live beyond simple survival. As this wild and naive child attempts to join civilization, he encounters earthquakes and car crashes, ogres and artists, and, eventually, all-encompassing love and an inescapable war. His adventures take him around the world and through history on a mesmerizing journey, rich with unforgettable characters. A hamlet of farmers fears he’s a werewolf, but eventually raise him as one of their own. A circus performer who toured the world as a sideshow introduces the boy to showmanship and sanitation. And a chance encounter with an older woman exposes him to music and the sensuous pleasures of life. The boy becomes a guide whose innocence exposes society’s wonder, brutality, absurdity, and magic. Beginning in 1908 and spanning three decades, The Boy is as an emotionally and historically rich exploration of family, passion, and war from one of France’s most acclaimed and bestselling authors.

When a young boy in search of joy asks the Earth where he can find happiness, the Earth responds and agrees to show him the way. The boy rushes excitedly through the landscapes that make the Earth most proud--the ocean, the cliffs, the forest, the desert, the mountains, and the top of the world. But the boy soon realizes happiness is much harder to find than he expected.

"God's love is like the ocean, my little boy," she said. "It's always here. It's always deep. It never ends. God's love is special." Just how wide, how deep, and how big is the love of God really? See for yourself in this heart-warming story about a boy, his parents, and the wonder of creation. From the vast reaches of the ocean to the towering heights of the mountains, Max Lucado takes us on a journey of discovery and thanksgiving as he shows us how creation expresses the unmatched love of the Creator. Filled with beautiful illustrations, this charming tale teaches about the God whose love never ends, and will remain a favorite among families for years to come.

When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!

A spine-tingling tale of book bonding. In this wordless story, a little boy finds a book that he loves at the library. It’s a match made in kid lit heaven. But not for the book. Sometimes the little boy’s excitement gets the better of him and the book suffers from possibly too much love: bent pages, tears, hugs, tossing, and shaking. The poor book requires first aid from his friends. Every time the boy comes to the library, the books hide and plan escape routes. But when the book gets away from imminent danger in the boy’s hands, the look of loss in the boy’s eyes is enough to turn a tragic tale into a love story. The boy soon learns that the book is not just an object and is so much more on the inside. He loves the story the book gives him more than the fun he had playing with it. Bob Kolar’s charming and hilarious illustrations show how sometimes our love for a good book can be too much, but with a more gentle touch, books can give us much comfort and joy.