Collection of author's newspapers columns.

Seventy years on from the partition of India, a momentous event now recedes in memory. Despite being born into a family affected by the great divide, artist and oral historian Aanchal Malhotra had thought little about it until she encountered the objects her own great-grandparents had saved as they fled their homes: jewelry, kitchen utensils, photographs, and a pocketknife. Remnants of Partition is a unique revisiting of Partition through dozens of personal belongings carried between the new India and Pakistan, amid the chaos of communal killings and mass displacement. Hidden in these objects is the memory of a time and place, a story of migration, and a life that once was. Malhotra unearths possessions from both sides of the border, interviewing their owners and uncovering a rich tapestry of struggle, sacrifice, pain, and identities forged and unforged. From a string of pearls gifted by a maharaja to a young woman's poetry notebook, this is an extraordinary alternative history of Partition, both powerful and poignant. Aanchal Malhotra takes the material legacy of a unique human drama, and places it back in our hands as vivid, living memory.

V. S. Naipaul is a major and controversial figure in postcolonial and world literature. This book provides a challenging and uncompromisingly honest study that engages with history, genre theory, aesthetics, and global literary culture, with close reference to Naipaul's published and archival material. In his fiction and creative histories, the definition of the modern idea of world literature is informed by the importance of an artistic ordering of perception. Although often expressing ideas that are prejudicial and morally repugnant, there is an honesty in his writings where one finds extraordinary insights into how life is experienced within colonial structures of power. These colonial structures provided no abstract unity to the field of literary expression and ignored vernacular cultures. The book argues that a universal ideology of the aesthetic, transcending time, regions, and languages, provides world literature with a unity which is possible only within a critical universal humanism attuned to heroic readings of texts and cultures.

Set in 1950s Calcutta, this is a saga of the intimate lives of managers, employees and guests at one of Calcutta's largest hotels, the Shahjahan.