Do you feel people step all over you (or are you kind of the one doing the stepping)? Do you struggle with saying "no" without guilt and "yes" without resentment? If so, then time to figure out where you end and the rest of the world begins, and THE BOUNDARIES SONG will show you how.

Community Music at the Boundaries examines how music enhances the lives of those living in what might be considered marginalized settings. Built on foundational principles of community music, the volume addresses music and accessibility, health, justice and the prison system, faith, and education, by contributors from more than ten countries.

This book explores consent and respect with children especially in relation to body boundaries, both theirs and others. A child growing up knowing they have a right to their own personal space, gives that child ownership and choices as to what happens to them. These concepts are presented in a child-friendly and easily-understood manner.

Shao-yun Yang challenges assumptions that the cultural and socioeconomic watershed of the Tang-Song transition (800–1127 CE) was marked by a xenophobic or nationalist hardening of ethnocultural boundaries in response to growing foreign threats. In that period, reinterpretations of Chineseness and its supposed antithesis, “barbarism,” were not straightforward products of political change but had their own developmental logic based in two interrelated intellectual shifts among the literati elite: the emergence of Confucian ideological and intellectual orthodoxy and the rise of neo-Confucian (daoxue) philosophy. New discourses emphasized the fluidity of the Chinese-barbarian dichotomy, subverting the centrality of cultural or ritual practices to Chinese identity and redefining the essence of Chinese civilization and its purported superiority. The key issues at stake concerned the acceptability of intellectual pluralism in a Chinese society and the importance of Confucian moral values to the integrity and continuity of the Chinese state. Through close reading of the contexts and changing geopolitical realities in which new interpretations of identity emerged, this intellectual history engages with ongoing debates over relevance of the concepts of culture, nation, and ethnicity to premodern China.

Infuse your lyrics with sensory detail! Writing great song lyrics requires practice and discipline. Songwriting Without Boundaries will help you commit to routine practice through fun writing exercises. This unique collection of more than150 sense-bound prompts helps you develop the skills you need to: • tap into your senses and inject your writing with vivid details • effectively use metaphor and comparative language • add rhythm to your writing and manage phrasing Songwriters, as well as writers of other genres, will benefit from this collection of sensory writing challenges. Divided into four sections, Songwriting Without Boundaries features four different fourteen-day challenges with timed writing exercises, along with examples from other songwriters, poets, and prose writers.

The Boundaries of Mixedness tackles the burgeoning field of critical mixed race studies, bringing together research that spans five continents and more than ten countries. Research on mixedness is growing, yet there is still much debate over what exactly mixed race means, and whether it is a useful term. Despite a growing focus on and celebration of mixedness globally, particularly in the media, societies around the world are grappling with how and why crossing socially constructed boundaries of race, ethnicity and other markers of difference matter when considering those who date, marry, raise families, or navigate their identities across these boundaries. What we find collectively through the ten studies in this book is that in every context there is a hierarchy of mixedness, both in terms of intimacy and identity. This hierarchy of intimacy renders certain groups as more or less marriable, socially constructed around race, ethnicity, caste, religion, skin color and/or region. Relatedly, there is also a hierarchy of identities where certain races, languages, ethnicities and religions are privileged and valued differently. These differences emerge out of particular local histories and contemporary contexts yet there are also global realities that transcend place and space. The Boundaries of Mixedness is a significant new contribution to mixed race studies for academics, researchers, and advanced students of Ethnic and Racial Studies, Sociology, History and Public Policy. This book was originally published as a special issue of the Journal of Intercultural Studies.

This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.