THE INTERNATIONAL BESTSELLER 'An intimate portrait of Afghani people quite unlike any other . . . compelling' CHRISTINA LAMB, SUNDAY TIMES For more than twenty years Sultan Khan, a bookseller in Kabul, defied the authorities - be they communist or Taliban - to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. A committed Muslim, Khan is passionate in his love of books and hatred of censorship. Two weeks after September 11th, award-winning journalist Åsne Seierstad went to Afghanistan to report on the conflict there and the year after she lived with an Afghan family for several months. We learn of proposals and marriages, suppression and abuse of power, crime and punishment. The result is a gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history. 'Fascinating . . . A portrait of people struggling to survive in the most brutal circumstances' DAILY MAIL

In the early hours of New Year’s Eve 1994, Russian troops invaded Chechnya, plunging the country into a prolonged and bloody conflict. A foreign correspondent in Moscow at the time, Åsne Seierstad traveled regularly to Chechnya to report on the war, describing its effects on those trying to live their daily lives amidst violence. Over the course of a decade, she traveled in secret and under the constant threat of danger.In a broken and devastated society, Seierstad lived amongst the wounded and the lost. And she lived with the orphans of Grozny, those who will shape the country’s future, asking the question: what happens to children who grow up surrounded by war and accustomed to violence?

The riveting true story of two sisters’ journey to the Islamic State and the father who tries to bring them home Two Sisters, by the international bestselling author Åsne Seierstad, tells the unforgettable story of a family divided by faith. Sadiq and Sara, Somali immigrants raising a family in Norway, one day discover that their teenage daughters, Leila and Ayan, have vanished—and are en route to Syria to aid the Islamic State. Seierstad’s riveting account traces the sisters’ journey from secular, social democratic Norway to the front lines of the war in Syria, and follows Sadiq’s harrowing attempt to find them. Employing the same mastery of narrative suspense she brought to The Bookseller of Kabul and One of Us, Seierstad puts the problem of radicalization into painfully human terms, using instant messages and other primary sources to reconstruct a family’s crisis from the inside. Eventually, she takes us into the hellscape of the Syrian civil war, as Sadiq risks his life in pursuit of his daughters, refusing to let them disappear into the maelstrom—even after they marry ISIS fighters. Two Sisters is a relentless thriller and a feat of reporting with profound lessons about belief, extremism, and the meaning of devotion.

Through in-depth research and detailed historical context, Sonali Kolhatkar and James Ingalls report on the injustice of U.S. policies in Afghanistan historically and in the post-9/11 era. Drawing from declassified government documents and on-the-ground interviews with Afghan activists, journalists, lawyers, refugees, and students, Bleeding Afghanistan examines the connections between the U.S. training and arming of Mujahideen commanders and the subversion of Afghan democracy today. Bleeding Afghanistan boldly critiques the exploitation of Afghan women to justify war by both conservatives and liberals, analyzes uncritical media coverage of U.S. policies, and examines the ways in which the U.S. benefits from being in Afghanistan.

I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.

This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details - a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today's Afghanistan.