The apostle Paul admonished the believers in Rome to diligently study what was written in earlier (i.e., Old Testament) times because what was written was written for our instruction, so that through perseverance and the encouragement of the Scriptures we might have hope (Romans 15:4). No where is this truth more evident that in the books of Kings. Some trod the path of righteousness, others did not. To turn people into the way of peace and blessing the Lord sent His servants the prophets to warn individuals and the nation of Israel of the consequences of their actions. Some of these prophets, like Elijah and Elisha are well known, others are given a place in the inspired record even though little is known of them. This is a plain, highly readable, study that pastors, college students, seminarians, and lay people will find helpful. Throughout this commentary Dr. Barber, like the householder whom the Lord Jesus described in Matthew 13:52 brings out of his treasure things old and new.

From the author of the bestselling The Dangerous Book for Boys “Brilliant…stunning,” raved the Los Angeles Times about Conn Iggulden’s first novel, Emperor: The Gates of Rome. “Iggulden is a grand storyteller,” declared USA Today. Now Iggulden returns to the landscape of ancient Rome and the life of Julius Caesar in a new novel filled with all the sumptuous storytelling that distinguished his first book. Sweeping from the windswept, pirate-ruled seas to the stifling heat of the Roman senate, Iggulden takes us further down the path to glory as Julius Caesar comes into his own as a man, warrior, senator, husband, leader. In a sweltering, sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them. Ragged, dirty, and half starved, the men will follow their leader into the mad, glorious fight for honor and revenge that only he wants to fight. Their leader is named Julius Caesar. The soldiers are Roman legionaries. And their quarry is a band of pirates who made the mistake of seizing Julius Caesar—and holding him for ransom. Now, to get his revenge, Caesar will turn peasants into soldiers, building a shipborne fighting force that will not only decimate a pirate fleet but will dominate the Mediterranean, earning him the coveted title Military Tribune of Rome. While Caesar builds a legend far from Rome, his friend Gaius Brutus is fighting battles of another sort, rising to power in the wake of the shocking assassination of a dictator. Once Brutus and Caesar were as close as brothers, both devoted to the same ideals and attracted to the same forbidden woman. Now, when Caesar returns—with the winds of glory at his back—they will find themselves at odds. For each has built an army of elite warriors—Caesar’s forged in far-flung battles, Brutus’ from Rome’ s political killing fields. But in an era when men die for their treachery and their allegiances, the two men will soon be united by a shock wave from the north. There, a gladiator named Spartacus is gathering strength, building an army of seventy thousand desperate slaves—to fight a cataclysmic battle against Rome itself. Filled with unforgettable images—from the death throes of a king to the birth of Caesar’s child, from the bloody battlefields of Greece to the silent passion of lovers—Emperor: The Death of Kings is an astounding work, a stunning blend of vibrant history and thrilling fiction.

Nathan Lovell proposes that 1 and 2 Kings might be read as a work of written history, produced with the explicit purpose of shaping the communal identity of its first readers in the Babylonian exile. By drawing on sociological approaches to the role historiography plays in the construction of political identity, Lovell argues the book of Kings is intended to reconstruct a sense of Israelite identity in the context of these losses, and that the book of Kings moves beyond providing a reason for the exile in Israel's history, and beyond even connecting its exilic audience to that history. The book recalls the past in order to demonstrate what it means to be Israel in the (exilic) present, and to encourage hope for the Israelite nation in the future. After developing a reading strategy for 1–2 Kings that treats the book as a coherent narrative, Lovell examines the construction of Israelite identity within Kings under the headings of covenant, nationhood, land, and rule. In each case he suggests that the narrative of the book creates room for a genuine but temporary expression of Israelite identity in exile: genuine to show that it remains possible for Israel to be Yahweh's people during the exile, but temporary to encourage hope for a future restoration.

A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series

Given the chance to train as a squire, kitchen servant Achan Cham hopes to pull himself out of his pitiful life and become a Kingsguard Knight. When Achan's owner learns of his training, he forces Achan to spar with the Crown Prince--more of a death sentence than an honor. Meanwhile, strange voices in Achan's head cause him to fear he's going mad. While escorting the prince to a council presentation, their convoy is attacked. Achan is wounded and arrested, but escapes from prison--only to discover a secret about himself he never believed possible.

The next chapter in the lives of the Grass Kings—three brothers who rule their own trailer park kingdom outside of the laws of man—begins not with a whimper, but with a bang, as Robert uproots the community in search of the long-fabled serial killer. With paranoia setting in, Bruce and Ashur must decide if their brother is still fit to lead. Written by The New York Times bestseller Matt Kindt (Mind MGMT) and beautifully illustrated by Tyler Jenkins (Peter Panzerfaust), Grass Kings Volume Two continues the critically acclaimed rural mystery series that explores the binding legacies of love and loss. Collects issues #7-11.

“This is the original Game of Thrones.” George R.R. Martin.