The Book of Urizen by William Blake Fully Illustrated Edition The Book of Urizen is one of the major prophetic books of the English writer William Blake, illustrated by Blake's own plates. It was originally published as The First Book of Urizen in 1794. Later editions dropped the "First." The book takes its name from the character Urizen in Blake's mythology, who represents alienated reason as the source of oppression. The book describes Urizen as the "primeaval priest" and tells how he became separated from the other Eternals to create his own alienated and enslaving realm of religious dogma. Los and Enitharmon create a space within Urizen's fallen universe to give birth to their son Orc, the spirit of revolution and freedom. In form the book is a parody of the Book of Genesis. Urizen's first four sons are Thiriel, Utha, Grodna and Fuzon (respectively elemental Air, Water, Earth, Fire, according to Chapter VIII). The last of these plays a major role in The Book of Ahania, published in 1795.

In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.

"William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--

The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.

While overlooked by extant studies of the Gothic, William Blake’s literary and visual oeuvre embodies the same obsessions and fears that inform the Gothic revival with which he was contemporary.

This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "Prophecies," and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters.