A powerful blend of murder mystery and romance set in the Ottoman Court

A PROFOUNDLY ORIGINAL DEBUT FROM HIGHLY ACCLAIMED EGYPTIAN WRITER Youssef Rakha’s extraordinary The Book of the Sultan’s Seal was published less than two weeks after then Egyptian President Hosni Mubarak stepped down, following mass protests, in February 2011. It’s hard to imagine a debut novel of greater urgency or more thrilling innovation. Modeled on a medieval Arabic manuscript in the form of a letter addressed to the writer’s friend, The Book of the Sultan’s Seal is made up of nine chapters, each centered on a drive our hero, Mustafa Çorbaci, takes around greater Cairo in the spring of 2007. Together these create a portrait of Cairo, city of post-9/11 Islam. In a series of dreams and visions, Mustafa Çorbaci encounters the spirit of the last Ottoman sultan and embarks on a mission the sultan assigns him. Çorbaci’s trials shed light on the contemporary Arab Muslim’s desperation for a sense of identity: Sultan’s Seal is both a suspenseful, erotic, riotous novel and an examination of accounts of Muslim demise. The way to a renaissance, Çorbaci’s journeys lead us to see, may have less to do with dogma and jihad than with love poetry, calligraphy, and the cultural diversity and richness within Islam. With his first novel, Rakha has created a language truly all his own—an achievement that has earned international acclaim. This profoundly original work both retells canonical Arabic classics and offers a new version of “middle Arabic,” in which the formal meets the vernacular. Now finally in English, in Paul Starkey’s masterful translation, The Book of the Sultan’s Seal will astonish new readers around the world.

"A wonderful read…. An historical novel of the highest quality." —Iain Pears Rich in sensuous detail, this first novel brilliantly captures the political and social upheavals of the waning Ottoman Empire. The naked body of a young Englishwoman washes up in Istanbul wearing a pendant inscribed with the seal of the deposed sultan. The death resembles the murder by strangulation of another English governess, a crime that was never solved. Kamil Pasha, a magistrate in the new secular courts, sets out to find the killer, but his dispassionate belief in science and modernity is shaken by betrayal and widening danger. In a lush, mystical voice, a young Muslim woman, Jaanan, recounts her own relationships with one of the dead women and her suspected killer. Were these political murders involving the palace or crimes of personal passion? An absorbing tale that transports the reader to nineteenth-century Turkey, this novel is also a lyrical meditation on the contradictory desires of the human soul. Reading group guide included. Includes the first chapter of the next Kamil Pasha novel.

The Turkish Riviera, known as the Turquoise Coast, is home to stunning mountain scenery, rich myths, and folklore, and more than six hundred miles of impeccable shoreline along the warm Aegean and Mediterranean seas. Featuring two of the Seven Wonders of the Ancient World, the ruins of the Mausoleum of Maussollos and the Temple of Artemis, this stretch of coast is a destination apart, so much so that Mark Antony was said to have chosen it as the most spectacular wedding gift for Cleopatra. Through the lens of Oliver Pilcher, this blue voyage beckons readers with wanderlust to set sail and enjoy the dazzling sapphire shades of the coast’s dreamy yacht life. Anecdotes from lovers of the region include Mica Ertegun, Tommy Hilfiger, Chiara Ferragni, and Mert Alas, who spent summers boating on these storied waters.

"There is only one known copy of the Sultan's Book of Delights in existence and it is held in the Oriental and India Office Collections of the British Library (BL. Persian 149). The manuscript is illustrated with fifty elegant miniature paintings, most of which show the Sultan, Ghiyath Shahi, observing the women of his court as they prepare and serve him various dishes. The book is fascinating in that the text documents a remarkable stage in the history of Indian cookery whilst the miniatures demonstrate the influence of imported Persian artists on the style of the Indian artists employed in Ghiyath Shahi's academy."--Jacket.

The subject of this two-volume publication is an inventory of manuscripts in the book treasury of the Topkapı Palace in Istanbul, commissioned by the Ottoman sultan Bayezid II from his royal librarian ʿAtufi in the year 908 (1502–3) and transcribed in a clean copy in 909 (1503–4). This unicum inventory preserved in the Oriental Collection of the Library of the Hungarian Academy of Sciences (Magyar Tudományos Akadémia Könyvtára Keleti Gyűjtemény, MS Török F. 59) records over 5,000 volumes, and more than 7,000 titles, on virtually every branch of human erudition at the time. The Ottoman palace library housed an unmatched encyclopedic collection of learning and literature; hence, the publication of this unique inventory opens a larger conversation about Ottoman and Islamic intellectual/cultural history. The very creation of such a systematically ordered inventory of books raises broad questions about knowledge production and practices of collecting, readership, librarianship, and the arts of the book at the dawn of the sixteenth century. The first volume contains twenty-eight interpretative essays on this fascinating document, authored by a team of scholars from diverse disciplines, including Islamic and Ottoman history, history of science, arts of the book and codicology, agriculture, medicine, astrology, astronomy, occultism, mathematics, philosophy, theology, law, mysticism, political thought, ethics, literature (Arabic, Persian, Turkish/Turkic), philology, and epistolary. Following the first three essays by the editors on implications of the library inventory as a whole, the other essays focus on particular fields of knowledge under which books are catalogued in MS Török F. 59, each accompanied by annotated lists of entries. The second volume presents a transliteration of the Arabic manuscript, which also features an Ottoman Turkish preface on method, together with a reduced-scale facsimile.