Reluctant to observe a new family tradition, a boy finds himself stranded outside a graveyard on the night before Christmas... Three farming brothers, forced to relocate to the city by poor harvests, discover an unexpected demand for their green-fingered talents... Residents of a new apartment block are woken in the early hours by the eerie sound of a table saw that once operated on the building’s grounds... Iceland is a land of stories; from the epic sagas of its mythic past, to its claim today of being home to more writers, more published books and more avid readers, per head, than anywhere in the world. As its capital (and indeed only city), Reykjavik has long been an inspiration for these stories. But, as this collection demonstrates, this fishing-village-turned-metropolis at the farthest fringe of Europe has been both revered and reviled by Icelanders over the years. The tension between the city and the surrounding countryside, its rural past and urban present, weaves its way through The Book of Reykjavik, forming an outline of a fragmented city marked by both contradiction and creativity. Includes a foreword written by award-winning Icelandic author Sjón. Translated from the Icelandic by Victoria Cribb, Philip Roughton, Lytton Smith, Meg Matich and Larissa Kyzer. Published with the support of the Icelandic Literature Center.

Hlynur Björn is an Icelandic slacker who spends his time on the Internet, watching daytime television and generally gawping at girls in pubs. Imagine his surprise when his mum comes out as a lesbian and her Spanish girlfriend moves into the family home.

“Will appeal to readers of Elena Ferrante and Margaret Atwood . . . the unusual setting offers an interesting twist on the portrait of an artist as a young woman.” —Bookpage In 1960s Iceland, Hekla dreams of being a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. After packing her few belongings, including James Joyces’s Ulysses and a Remington typewriter, Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla’s opportunities are equally limited: marriage and babies, or her job as a waitress, in which harassment from customers is part of the daily grind. The two friends feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot. Hemlines are rising. In Iceland, another volcano erupts and Hekla meets a poet who brings to light harsh realities about her art—as she realizes she must escape to find freedom abroad, whatever the cost. Miss Iceland, a winner of two international book awards, comes from the acclaimed author of Hotel Silence, which received the Icelandic Literary Prize. “Only a great book can make you feel you’re really there, a thousand miles and a generation away. I loved it.” —Kit de Waal, author of My Name is Leon “[A] winning tale of friendship and self-fulfillment.” —Publishers Weekly, starred review

DIVA young mother resorts to smuggling cocaine into Iceland, as she struggles to keep custody of her son, with devastating results ... First in the addictive, award-winning Reykjavik Noir Trilogy by the Queen of Iceland Noir. ***Longlisted for the CWA International Dagger*** 'Stylist, taut and compelling' Daily Express 'Snare will ensnare you' Marie Claire 'A taut, gritty, thoroughly absorbing journey into Reykjavik's underworld' Booklist ––––––––––––––––––––––––––––––––– After a messy divorce, young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland, and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer, whose years of experience frustrate her new and evermore daring strategies. Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash. Set in a ReykjavÍk still covered in the dust of the EyjafjallajÖkull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction. ––––––––––––––––––––––––––––––––––––– 'A tense thriller with a highly unusual plot and interesting characters' The Times 'Tense, edgy and delivering more than a few unexpected twists and turns' Sunday Times 'Sharp shocks of chapters hit with increasing energy ... a towering powerhouse of read and I gobbled it up in one intense sitting' LoveReading 'The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year' New York Journal of Books 'This first novel of a planned trilogy is stylish, taut and compelling and a film adaptation is in the pipeline. With characters you can't help sympathising with against your better judgement, Sigurdardottir takes the reader on a breathtaking ride' Daily Express 'Lilja Sigurdardottir delivers a diabolically efficient thriller with an ultrarealistic plot ... We cannot wait for Sonja's next adventure' L'Express 'A smart, ambitious, and hugely satisfying thriller. Striking in its originality and written with all the style and poise of an old hand. Lilja is destined for Scandi super stardom' Eva Dolan 'For a small island, Iceland produces some extraordinary writers, and Lilja is one of the best. Snare is an enthralling tale of love and crime that stays with you long after you have turned the last page' Michael Ridpath 'Zips along, with tension building and building ... thoroughly recommended' James Oswald 'Crisp, assured and nail-bitingly tense, Snare is an exceptional read, cementing Lilja’s place as one of Iceland’s most outstanding crime writers’ Yrsa Sigurdardottir ‘Clear your diary. As soon as you begin reading Snare, you won’t be able to stop until the final page’ Michael Wood ‘Snare is a great read and the finale is both shocking and unexpected … a Wizard-of-Oz ending, without the laughs. Terrific and original stuff' European Literature Network/div

Iceland is in the midst of an unprecedented tourist boom that has brought wealth to the country, but also myriad issues and challenges. Through a series of short essays, this book provides a unique insight into the social and environmental impact that tourism is having on Iceland, and with wit and intelligence offers invaluable tips for touring safely, responsibly, and in harmony with the locals. A fascinating resource for anyone interested in contemporary Iceland, and an essential companion for all visitors to the country. Among the topics addressed in this book: • Why now?—Reasons for the tourism boom in Iceland • The impact of tourism on Iceland’s housing market, health care system, law enforcement, search and rescue operations, and more • Touring Iceland, staying safe—the things to keep in mind while traveling in Iceland’s treacherous terrain • Out driving. The most dangerous parts of Iceland? Its roads! Read our tips for staying safe • What they think of us—he things our visitors complain about • What we think of them: tourist behaviors that really, seriously irk the Icelanders • Crazy stories of tourists in Iceland (hahaha oh lord!) • The environmental footprint: depletion of natural resources, pollution, and the physical impact of tourism • Taxing tourists? The endless debate and what it entails • Can't we just all get along? Tips for touring in harmony with the locals • The truth about those Iceland myths: jailed bankers, believing in elves, the incest app, sleeping around ... don’t believe everything you hear! • The hilarious questions we get (“What time do the northern lights come on?”) ... and so much more! Excerpt "Yes, Iceland’s landscape is treacherous, and there are dangers in both expected and unexpected places. Yet the most dangerous aspect of touring Iceland is not those hot springs, glaciers, or rogue waves, but something far more commonplace: driving. Iceland has a very low population density—only about three people per square kilometer, or eight per square mile. Building and maintaining an efficient road system obviously costs a few crowns, and hitherto the Icelanders have been, if not entirely satisfied, then at least reasonably content with their single-lane highways, gravel roads, and the mountainous F-roads that are generally only open in summer. So here we are, merrily driving on our sub-standard roads and suddenly there is a tourist boom, resulting in far more cars on the road than ever before, including whole convoys of tour buses. This means increased wear and tear on roads that were already unsuitable for so much traffic and that require more frequent maintenance if they are to be kept safe. Also, many Icelandic roads are not built for the volume of traffic that they are now experiencing. For instance, shoulders have been known to collapse when a tour bus has moved too far over to one side of a narrow road, in order to make way for an oncoming vehicle. Thankfully there have been no serious injuries to people under such circumstances, but there have been enough scares to make people stand up and pay attention. A related problem that has been growing ever more serious is the limited experience of many folks when it comes to the driving conditions endemic to Iceland. I am speaking of driving in strong winds, winter driving, two-lane highways, gravel roads, and so on. [...] So the road system definitely needs a major overhaul. However, that is not an undertaking that can be completed overnight, and besides, it is entirely open to debate whether we want all those roads improved. More on that later. For now, at least, we must accept the sort of road system we have, and try our best to make our visitors aware of the main dangers and risks of motoring in Iceland, so that we can all stay safe."

The dramatic, first-hand account of the historic 1986 Reagan-Gorbachev summit in Iceland—the definitive weekend that was the key turning point in the Cold War—by President Reagan’s arms control director, Ken Adelman. In October 1986, Ronald Reagan and Mikhail Gorbachev met for a forty-eight-hour summit in Reykjavik, Iceland. Planned as a short, inconsequential gathering to outline future talks, the meeting quickly turned to major international issues, including the strategic defense initiative and the possibility of eliminating all nuclear weapons—negotiations that laid the groundwork for the most sweeping arms accord in history the following year. Scrupulously researched and based on now-declassified information, Reagan at Reykjavik tells the gripping tale of this weekend that changed the world. Filled with illustrative accounts of the private discussions between Reagan and his team, Ken Adelman provides an honest and up-close portrait of President Reagan at one of his finest and most challenging moments. Reagan at Reykjavik includes 16 pages of black-and-white photos and 11 illustrations.

“A rose can rest in the casket for a thousand years without fading. An egg can remain there for centuries without going bad. A person could lie there for a hundred years, a thousand years, ten thousand years, completely protected from time." What happens when the world starts to fall apart, and no one will take responsibility for mending it? Sigrun’s family, along with everyone else, finds refuge from the crisis in a new technology called TimeBox®, which lets you hibernate until the world’s problems solve themselves. But Sigrun’s TimeBox® opens early, and she wakes to a city in chaos, overrun by nature. Sigrun joins a roving band of kids and a wise researcher named Grace, who tells them of the ancient kingdom of Pangea, and the greedy king who wanted to protect his daughter Obsidiana from pain, gloomy days, and growing older by putting her in a silken casket that time could not penetrate. But Obsidiana learns that sabotaging time is a dangerous business, with effects that ripple outward even to the present day. Sigrun realizes it’s up to her and her friends to face the crisis, break the curse, and fix the world before it’s too late! Winner of The Icelandic Literary Prize for Children and Young People’s Books Winner of The Icelandic Booksellers Prize for Best Teenage Book of the Year Nominated for the Nordic Council Children and Young People’s Literature Prize Winner of the The West Nordic Literature Prize Winner of the Reykjavik Children’s Literature Prize “The story confronts the concept of time and twists old fairy-tale memories with a passionate creativity.” —The Nordic Council Children and Young People’s Literature Prize Citation “Andri Snær Magnason has created an intimate epic that floats effortlessly between genres as diverse as fairy tale and political commentary, science fiction and social realism. The Casket of Time spans the chasm between ‘once upon a time’ and ‘have you heard the news today’ in a way that makes his philosophical fable feel both timely and timeless.” —Bjarke Ingels “The largest box of chocolate written in the Icelandic language that I have ever laid my hands on... This is confectionery for the mind!... This is a book for the 3 year old, the 30 year old, the 300 year old.” —Audur Haraldsdóttir, Channel 2, National Radio (Iceland) “The power of story animates a tale that communicates—but is not overpowered by—urgent messages.” — Kirkus Reviews