Once upon a time, Ralph Steadman visited his friend Hunter S. Thompson at Owl Farm, his mountain home high above Aspen, Colorado. There he made the acquaintance of a certain cat named Jones. Jones was the master of all he surveyed. When he wanted something from a human, he invariably got it; the rest of the time he was serenely unavailable. And Jones was mercurial even by the standards of Hunter S. Thompson (with whom he shared mutual respect and nocturnal habits): "Both made demands and were locked into worlds reserved for selfish gods". One minute Jones was disarmingly placid and fluffy, the next a claw-wielding terror. No one who knew Jones - not Steadman, not Thompson, not even the late and great John Belushi - was any match for his wiles. In short, Jones was extremely catlike. His anarchic sense of fun mirrored Steadman's own and led to the creation of this irresistibly playful tale that will enchant humans the world over.

“Jones’s radical, detailed vision of what extremes it might take to unlearn misogyny is rendered with insight, immediacy, and painful honesty. This gut-punch of a story is sure to start conversations.” — Publishers Weekly, starred review A searing examination of the dark heart of masculinity confronted by a women-led society. The Handmaid’s Tale meets Herland at a party thrown by Anaïs Nin. Jonathon Bridge has a corner office in a top-tier software firm, tailored suits, and an impeccable pedigree. He has a fascinating wife, Adalia; a child on the way; and a string of pretty young interns as lovers on the side. He’s a man who’s going places. His world is our world: the same chaos and sprawl, haves and have-nots, men and women, skyscrapers and billboards. But it also exists alongside a vast, self-sustaining city-state called The Fortress where the indigenous inhabitants—the Vaik, a society run and populated exclusively by women—live in isolation. When Adalia discovers his indiscretions and the ugly sexual violence pervading his firm, she agrees to continue their fractured marriage only on the condition that Jonathan voluntarily offers himself to The Fortress as a supplicant and stay there for a year. Jonathon’s arrival at The Fortress begins with a recitation of the conditions of his stay: He is forbidden to ask questions, to raise his hand in anger, and to refuse sex. Jonathon is utterly unprepared for what will happen to him over the course of the year—not only to his body, but to his mind and his heart. This absorbing, confronting, and moving novel asks questions about consent, power, love, and fulfillment. It asks what it takes for a man to change, and whether change is possible without a radical reversal of the conditions that seem normal.

Across a century, Victoria Bynum reinterprets the cultural, social, and political meaning of Mississippi's longest civil war, waged in the Free State of Jones, the southeastern Mississippi county that was home to a Unionist stronghold during the Civil War and home to a large and complex mixed-race community in the late nineteenth and twentieth centuries.

"If love is details, so is storytelling, and Anne Lamott excels at it. Her way with analogy, metaphor, and evocative detail is subtle; her ability to shift from the specific to the general to the specific again, superb."—The Nation Joe Jones is Anne Lamott's raucous novel of lives gathered around Jessie's Café, "a restaurant from another era, the sort of broken–down waterfront dive one might expect to find in Steinbeck or Saroyan." Jessie, "thin, stooped and gorgeous at seventy–nine," inherited the café years before and it has become home to a remarkable family of characters: Louise, the cook and vortex, "sexy and sweet, somewhere on the cusp between curvaceous and fat"; Joe, devoted and unfaithful; Willie, Jessie's gay grandson, ("I thought he just had good posture," said Jessie); Georgia, an empress dowager who never speaks; and a dozen others all living together in the sweet everyday. Lamott's rich and timeless themes are also here: love and loyalty, loss and recovery, staying on and staying together, the power of humor to heal and to bind.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory. In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading. The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.

Tired of kindergarten, Bea Jones trades "jobs" with her father, who works in an office.

Dean Jones was two men. He was the boyishly handsome star of the Walt Disney box-office hits - the hero of television shows and Saturday matinees, with a winsome smile every mother could trust. And he was the reckless, hard-living predator who prowled from one Hollywood romance to another - always stalked by deep regrets and a strange death wish that arose when on his motorcycle or behind the wheel of his sports car. Enter Lory Patrick. Loving, attractive, independent, different.