What makes the Book of Illumination stand out among other philosophical and or religious titles is its precision to math, definition, and it's deciphering of prophecy. There truly is no book like it, as it combines every major religion, history, prophecy, pop culture, as well as the occult, into one comprehensive record. It also, with the use of Kabbalah and sacred geometry, animates the lives of past mythological deities, and composites their lives with "stars" that are living today. The revelation given within the Book of Illumination is in direct alignment with New Age prophecy as well as the resurrection spoken of by Jesus. This resurrection is validated by Hinduism, the world's oldest religion, which is also the largest religion in the world that openly acknowledges and promotes reincarnation. Reincarnation, after reading the Book of Illumination, becomes fully realized. It is no longer a matter of theory, as again, the book proves with mathematics and sacred geometry, the existences of ancient celestial beings of folklore and mythology, who walk the earth today in the flesh.

Presenting a mystical and theological analysis of our human urge to create idols for ourselves and out of ourselves, this medieval author carefully recounts the enlightening counsels of his own masters. He is most attentive to the subtle psychological working of our human ego, marshaling resources for his Islamic tradition that can confront and overcome it. The result of desisting from claiming as our right and ability what is clearly beyond our control is illumination of the heart, clarity of the mind, and tranquility of the soul. This new translation masterfully illustrates the goal of Ibn Ata' Allah's discussion of achieving inner illumination of the heart, which is close to the sense of "enlightenment" that has become common in English language discussions of spirituality and gnosis.

The criminal underworld meets the spiritual otherworld in this thrilling debut collaboration between the inspiration for television's The Ghost Whisperer and an award-winning writer/director. Anza O'Malley is in most ways a typical single mom. She lives a happy, busy life with her five-year-old son in Cambridge, Massachusetts, juggling the joys and challenges of life as a doting parent and a freelance bookbinder. But there is more to Anza than meets the "ungifted" eye: she can see and speak with ghosts. Although she's been solving cold cases for the police for years, Anza has been hoping to focus her energies on her son and her bookbinding career. But when an exquisite and priceless illuminated manuscript is stolen from the Boston Athenaeum, and when its desecration spurs the appearance of some very unhappy spirits, Anza can neither look nor walk away. With an unlikely trio of ghosts by her side–a charming butler and two medieval monks–Anza leads us on an urgent journey through Boston's winding, cobbled streets to uncover a trail of deceit, danger, and ghoulish intrigue.

Something strange is going on. All over the world, pain is manifesting itself as light. Cuts and bruises blaze and flash. Arthritic joints glow. Injured troops emit radiant white shards into the desert night. On the news, they're calling it 'The Illumination'. As this breathtaking phenomenon takes holds, a private journal of love notes passes into the keeping of Carol Ann Page, a lonely hospital patient, and from there through the hands of five other people. Each of them will find their lives changed forever over a story which spans decades and continents, a story that shines a spectacular light on the wounds we all bear...

Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.

The fantasy field has been waiting for this for years: Terry McGarrys first novel. Formerly the Vice President of the Science Fiction Writers of America, a longtime copyeditor for all the major publishers, and the author of a number of well-received short stories, McGarry is extremely well known throughout the genre. And now, with talent, insight, and skill rarely seen today, McGarry has crafted a fantasy adventure of the first rank; a wonderful, gripping adventure. Liath was proud to have passed her challenge and become a true mage, ready to journey the land and find a Triad to bond with as an Illuminator. But that very night, her light fails her: she can no longer see the magical illumination guiders, and thus, despite the mages badge upon her breast, can no longer call herself Illuminator. Liath travels to the city and petitions the Ennead, the senior mages of the land, for help and a cure. Before they will help her, they set a task for her to fulfill: she must find and capture the rogue Dark Mage, and bring him to the Ennead for justice; only then will her light be freed. So goes Liath on the most important journey of her life, for the future of the world rests on her success or failure--but which one? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The seminal work, originally published in two seperate clothbound volumes, is now made available in a revised one-volume edition, both in hardback and in paperback. It brings to light an aesthic passage of European history which has never before received full-scale treatment in English. It explains, historically and with a rich body of illustrations, the origins and momentum of a magnificent movement of German art, and shows, through this powerful and expressive art, how religion and political ideaology were interwined in Ottonian culture from about 950 to 1050. Besides dealing with the great imperials books such as the Gospels of Otto III and the Pericopes Book of Henry II, as well as other splendid liturgical manuscripts, the author also writes with penetrating insight about the great art-loving bishops such as Egbert of Trier and Bernard of Hildesheim, whose aims ans personalitites are express in the books they commissioned. In addition, the most important art centres of the Ottonian Empire - Reichenau, Cologne, Fulda and Corvey - are discussed in detail.