A masterpiece in the tradition of the Decameron and the Canterbury Tales, Juan Ruiz's fourteenth-century Spanish narrative poem combines the comic and the serious, the bawdy and the practical, the satiric and the tender, the devout and the blasphemous. In a first prose translation, Professors Mignani and Di Cesare succeed in conveying the vitality and sly humor of the original. The poem consists of a loosely unified series of fourteen amorous adventures of the Archpriest of Hita, interlaced with debates, fabliaux, fables, and exempla. Ruiz suggests that while man ought to seek buen amor (true love, or love of God), he is prone to loco amor, or worldly love. The Book proposes to show human folly so that men may be forewarned of the bad and choose the good. The episodes related in the stanzas and in songs in various lyrical styles parody such conventions as courtly love, epic battle, or church ritual. Ruiz was clearly fascinated by the concrete, as well as the allegorical, for his episodes have dates and actual settings, and popular speech is incorporated into his verses. In their introduction, the translators survey the major scholarly studies of the poem and offer their own critical reading of it. Their annotated bibliography and notes to the translation will be useful to students as well as scholars.

Analyzes the way in which Austen blends ironic criticism with moral affirmation through her complex and little-understood management of the narrative point of view.

This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.

1919, Siberia . . . Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead suspicion and terror engulf the isolated community, which harbours a secret of its own . . .

The Instant New York Times Bestseller and TikTok Sensation! As seen on THE VIEW! A BuzzFeed Best Summer Read of 2021 When a fake relationship between scientists meets the irresistible force of attraction, it throws one woman's carefully calculated theories on love into chaos. As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding...six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

Wary of romance following her mother's second divorce and resisting her friends' attempts to fix her up with the hottest guy in school, Piper's life is complicated when she receives a series of valentines from a secret admirer.

The Harrison family gathers as usual for Christmas in their big Sussex house. This year, however, outside realities are pressing hard: Pamela and John, married for four decades, know that time is catching up with them. And trouble is brewing in the lives of their four children. Cassie, the cossetted youngest, is in the throes of an affair with a married man; Elizabeth, her awkward older sister, is struggling with a faltering second marriage; Peter, the eldest and designated inheritor of Ashley House, is beginning to meet resistance to such a prospect from his career-orientated wife. Only Charlie, the charming and carefree younger son, and his wife Serena, seem truly content, with nothing to worry about except their adolescent twin girls and the simpler teething troubles of their toddler. Absorbed in their own lives, not one of them is prepared when real tragedy strikes, rocking their world to its core, changing them all forever. Praise for Amanda Brookfield: 'An engaging, emotionally-charged and intriguing story' Michelle Gorman 'No one gets to the heart of human relationships quite so perceptively as Brookfield.' The Mirror 'Unputdownable. Perceptive. Poignant. I loved it.' bestselling author Patricia Scanlan on Before I Knew You 'If Joanna Trollope is the queen of the Aga Saga, then Amanda Brookfield must be a strong contender for princess.' Oxford Times What readers are saying about Amanda Brookfield: ‘I’ve loved all Amanda Brookfield’s books and this latest one was excellent too. She writes so well, with insight and natural dialogue.’ ‘I could read it again, I read it so fast, I couldn't put it down. Very well written. I will definitely read more from this author in the future.’ ‘Brilliant book - just when I thought I knew what was going to happen, another twist popped up -had me picking it up whenever I had the chance.’ ‘A great story, great characters, vivid, immediate, so 'real', and such compassion. Every bit a page turner as Brookfield so gets you into her people. Only my second (Good Girls was a lucky dip first), but am hooked. If you like reading really well written real-life novels about your relationships, try this.’ ‘I enjoyed Amanda Brookfield’s writing style. She really taps into her characters and writes them warts and all, with some raw and honest emotions.’ ‘All of Amanda's books are well written. She certainly knows how to grab the reader's attention and draw them into what proves to be an enjoyable read.’