As a teenager, sex surrounds you: it’s not something you need to go looking for. Perhaps you think you know it all ... or maybe that’s just the impression you give your friends. This book answers your questions about teenage sexuality and relationships. Renowned sex therapist and educator, Dr Patricia Weerakoon, explores the topics of sexual desire and arousal, falling in love, and dating—things like, ‘How far is too far?’ You’ll also cover topics like cybersex, pornography and homosexuality, and the effects these can have on our sex lives. The discussion is frank and, in parts, explicit. You may find it a little uncomfortable, but it’s stuff that will inform and challenge you. Ultimately, it calls you to consider who you are and what you stand for. Discover how living God’s countercultural lifestyle leads to healthy, pleasurable sex and intimate, satisfying relationships that last a lifetime.

How to get your Fifty Shades on... For anyone who’s felt...inspired...after reading Fifty Shades of Grey, The Book of Kink both entertains and enlightens, showing you the who, what, where, why, and how of kink. People everywhere are into kinky sex. For some, it's a way to spice up a withered sex life; for others, it's a way of life. No matter how or why we do it, kinky sex is as old as Adam and Eve and as commonplace as your next-door neighbor. For example, did you know: Japan organized the largest orgy ever caught on tape, featuring 500 participants? A Berlin hotel offers different rooms dedicated to kinky sex, including one with a coffin? Those who are into having sex with an armpit have a fetish called axillism? There is a university dedicated entirely to love and sex called the Loveology University? The Book of Kink is an entertaining and enlightening look into all things beyond the pale when it comes to sex. Exploring everything from equipment, sex classes, sex parties, and porn to the who, what, where, when, why, and how of kink, it delves into fetishes, turn-ons, role-playing, and how the Internet has put a new spin on kinkiness. It is an X-rated romp through cultural and social history and contemporary mores. Whether you're appalled to learn that people actually do this or are relieved to find out that you're not the only one, you'll never see sex the same way again.

Written in the form of a revelation from divine beings, the classic guide to expanding consciousness presents texts discussing God, the universe, angels and other beings, the history of the world, the development of civilization, personal spiritual growth, and the life and teachings of Jesus.

Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.

Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Oph�ls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons-from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture.

The aura of passivity that has for centuries surrounded female sexuality in popular culture, psychology, and literature has, in recent years, dissipated. And yet fetishism, one of the most intriguing and mysterious forms of sexual expression, is still cast as an almost exclusively male domain. Most psychoanalytic thought, for instance, excludes the very possibility of female fetishism. The first book on the subject, Female Fetishism engagingly documents women's involvement in this form of sexuality. Lorraine Gamman and Merja Makinen describe a wide array of female fetishisms, from the obsessional behavior of pop fans (and pop performers such as Madonna) to fetishism in advertising to women's involvement in the world of dress clubs and fetish magazines. The authors provide provocative evidence of food fetishism among women, arguing that many eating disorders are best understood from this perspective. A latter portion of the book includes a discussion of how feminists have treated the political and cultural significance of female fetishism.