This volume illuminates the full extent of the ancient and mediaeval apocryphal texts associated with or attributed to Daniel (including the Daniel legenda, the apocryphal apocalypses, and the prognostica) and investigates their relationship with the biblical Book of Daniel.

Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

How much did the theological arguments of the church affect the copying of the New Testament text? Focusing on issues of textual criticism, this inaugural volume of the Text and Canon of the New Testament series offers some answers to that question and responds to some of Bart Ehrman's views about the transmission of the New Testament text. Revisiting the Corruption of the New Testament will be a valuable resource for those working in textual criticism, patristics, and New Testament apocryphal literature.

"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.

Daniel, with an Introduction to Apocalyptic Literture is Volume XX of The Forms of the Old Testament Literature, a series that aims to present a form-critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical process so as to enable students and pastors to engage in their own analysis and interpretation of the Old Testament texts. In his introduction to Jewish apocalyptic literature, John J. Collins examines the main characteristics and discusses the setting and intention of apocalyptic literature. Collins begins his discussion of Daniel with a survey of the book's anomalies and an examination of the bearing of form criticism on them. He goes on to discuss the book's place in the canon and the problems with its coherence and bilingualism. Collins's section-by-section commentary provides a structural analysis (verse-by-verse) of each section, as well as discussion of its genre, setting, and intention. The book includes bibliographies and a glossary of genres and formulas that offers concise definitions with examples and bibliography.

The Anchor Bible series offers new, book-by-book translations of the Old and New Testament and the Apocrypha, with commentary. This volume on the Book of Daniel has been prepared by two distinguished biblical scholars from the faculty of the Catholic University of America: Alexander A. Di Lella, Professor of Old Testament, and the late Louis F. Hartman, Professor of Semitic Languages. The Book of Daniel was written as resistance literature, to strengthen and console loyal Jews of the second century B.C. who had to endure religious, economic, and social oppression at the hands of Antiochus I. The inspiring stories in which Daniel and his companions Shadrach, Meshach and Abednego survive the ordeals of the lions' den and the fiery furnace dramatize for believers of all time the ultimate test of faith--the willingness to risk one's life for one's beliefs. The Book of Daniel also includes the famous incident of "the handwriting on the wall" and recounts the four vivid dream-visions or apocalypses which, through symbols and signs, offered interpretations of history and predictions of future deliverance. Louis F. Hartman and Alexander A. Di Lella have revealed the profound religious and human dimensions of the Daniel stories. They present Daniel as a colorful and dramatic hero unique in biblical literature--an enduring symbol of hope and salvation for all men and women of faith who must suffer for their beliefs.