For almost three hundred years there were those in England who believed that an Italian translation of the Book of Common Prayer could trigger radical change in the political and religious landscape of Italy. The aim was to present the text to the Italian religious and political elite, in keeping with the belief that the English liturgy embodied the essence of the Church of England. The beauty, harmony, and simplicity of the English liturgical text, rendered into Italian, was expected to demonstrate that the English Church came closest to the apostolic model. Beginning in the Venetian Republic and ending with the Italian Risorgimento, the leitmotif running through the various incarnations of this project was the promotion of top-down reform according to the model of the Church of England itself. These ventures mostly had little real impact on Italian history: as Roy Foster once wrote, "the most illuminating history is often written to show how people acted in the expectation of a future that never happened." This book presents one of those histories. Making Italy Anglican tells the story of a fruitless encounter that helps us better to understand both the self-perception of the Church of England's international role and the cross-cultural and religious relations between Britain and Italy. Stefano Villani shows how Italy, as the heart of Roman Catholicism, was--over a long period of time--the very center of the global ambitions of the Church of England.

Introductory textbook and survey course on the general faith and practice of the Anglican Church, in ten lessons and with five appendices, including discussions of participation in an Anglican service, the "Via Media", the "Textus Receptus", canon law, and a final examination for confirmation.

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.