Zeev Gries’s analysis of what books were being published and where shows the importance of the printed book in disseminating religious and secular ideas, creating a new class of Jewish intellectuals, and making knowledge of the world available to women. This unique perspective on Jewish intellectual history in the eighteenth and nineteenth centuries through the history of book-publishing throws light on many of the key Jewish cultural issues of the time.

This book offers the reader a voyage in the new world that opened up to the enlightened Jewish reader of the eighteenth and nineteenth centuries, a time when the first glimmerings of emancipation and secular education were giving large numbers of Jews their first exposure to science, literature, and art, and opening their minds to new ideas. And as on any voyage led by a knowledgeable guide, there are fascinating side-trips along the way: insights into the world of scholarship, then and now, and into the nature of knowledge. All this was happening at a time when Jews' civil status and place in society was undergoing great change in Europe. In this seminal work, Zeev Gries shows that although the history of the book in the Jewish world has long been regarded as the province of librarians and bibliophiles, it is in fact the history of the Jewish intellect. He starts by tracing the awakening of a dormant Jewish intelligentsia-men, women, and children who were thirsty for knowledge. Books were the magic kiss that opened new doors to the modern world; within a century, Jews were making invaluable contributions to the advancement of science and of culture more generally. By surveying the literary output of those years, the author is able to discover what books were being published, where they were published and distributed, and who was reading them. He surveys the fields of halakhic literature, ethical literature, kabbalistic and mystical literature, literature for children and women, and more general literature. He talks about the role of libraries and of book reviews. Above all, he considers the role of books as agents of culture: were they guardians of hallowed sanctity or harbingers of secularization? Gries shows how the types of books favoured by the Jewish reading public offer an insight into the changing nature of their 'portable homeland'. He then goes on to discuss the Haskalah movement and the tensions between increasing secularization and the more traditional world-view, as well as how the resurrection of Hebrew as a secular literary language contributed to the awakening of Jewish nationalism. Nevertheless, he argues that the study of literary history of the period reveals that secular and Zionist leanings were not the only trends present; Jewish literature continued to be permeated with the spirit of religion.

This fascinating collection of essays charts, for the first time, the range of responses by scholars on both sides of the conflict to the outbreak of war in August 1914. The volume examines how biblical scholars, like their compatriots from every walk of life, responded to the great crisis they faced, and, with relatively few exceptions, were keen to contribute to the war effort. Some joined up as soldiers. More commonly, however, biblical scholars and theologians put pen to paper as part of the torrent of patriotic publication that arose both in the United Kingdom and in Germany. The contributors reveal that, in many cases, scholars were repeating or refining common arguments about the responsibility for the war. In Germany and Britain, where the Bible was still central to a Protestant national culture, we also find numerous more specialized works, where biblical scholars brought their own disciplinary expertise to bear on the matter of war in general, and this war in particular. The volume's contributors thus offer new insights into the place of both the Bible and biblical scholarship in early 20th-century culture.

From Maimonides to Microsoft traces the historical development of Jewish copyright law by comparing rabbinic reprinting bans with secular and papal book privileges and by relaying the stories of dramatic disputes among publishers of books of Jewish learning and liturgy.. He describes each dispute in its historical context and examines the rabbinic rulings that sought to resolve it. Remarkably, the rabbinic reprinting bans and copyright rulings address some of the same issues that animate copyright jurisprudence today: Is copyright a property right or just a right to receive fair compensation? How long should copyrights last? What purposes does copyright serve? While Jewish copyright law has borrowed from its secular law counterpart at key junctures, it fashions strikingly different answers to those key questions.

A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

This first volume of a two-volume Handbook treats a challenging, largely neglected subject at the crossroads of several academic fields: biblical studies, reception history of the Bible, and folklore studies or folkloristics. The Handbook examines the reception of the Bible in verbal folklores of different cultures around the globe. This first volume, complete with a general Introduction, focuses on biblically-derived characters, tales, motifs, and other elements in Jewish (Mizrahi, Sephardi, Ashkenazi), Romance (French, Romanian), German, Nordic/Scandinavian, British, Irish, Slavic (East, West, South), and Islamic folkloric traditions. The volume contributes to the understanding of the Hebrew Bible/Old Testament, the New Testament, and various pseudepigraphic and apocryphal scriptures, and to their interpretation and elaboration by folk commentators of different faiths. The book also illuminates the development, artistry, and “migration” of folktales; opens new areas for investigation in the reception history of the Bible; and offers insights into the popular dimensions of Jewish, Christian, and Muslim communities around the globe, especially regarding how the holy scriptures have informed those communities’ popular imaginations.

This title describes recent discoveries and insights into the various expressions of Jewish mysticism from antiquity to the modern day. From mystical outpourings in ancient Palestine to the Kabbalah Centre, this volume explores the various expressions of Jewish mysticism from antiquity to the present day.