Everything you think you know about the Boogeyman is wrong! This is what a thirteen-year-old boy nicknamed “Puck” learns when he follows the Boogeyman through his closet into the realm of Fairy. Puck discovers the Boogeyman is not an evil "boogey" at all, but rather a "boogey hunter" whose duty it is to track and bring home monstrous fairies who have strayed into the Mortal World. As yet unaware of the Boogeyman's true nature, Puck mistakenly frees a shape-shifting changeling from the Boogeyman's lair. Their quest to re-capture the rogue fairy leads Puck and the Boogeyman on a world-hopping chase that ultimately sees both Fairy and the Mortal World embroiled in an all-out war—one that only Puck, the Boogeyman, and their allies can hope to stop. Fans of both RL Stine’s Goosebumps and JK Rowling’s Harry Potter series will find scares, magic, and adventure aplenty within pages of THE BOOGEYMAN—a monstrous fairytale written by Shane Berryhill, author of Chance Fortune and the Outlaws.

Everything you think you know about the Boogeyman is wrong! This is what a thirteen-year-old boy nicknamed "Puck" learns when he follows the Boogeyman through his closet into the realm of Fairy. Puck discovers the Boogeyman is not an evil "boogey" at all, but rather a "boogey hunter" whose duty it is to track and bring home monstrous fairies who have strayed into the Mortal World. As yet unaware of the Boogeyman's true nature, Puck mistakenly frees a shape-shifting changeling from the Boogeyman's lair. Their quest to re-capture the rogue fairy leads Puck and the Boogeyman on a world-hopping chase that ultimately sees both Fairy and the Mortal World embroiled in an all-out war--one that only Puck, the Boogeyman, and their allies can hope to stop. Fans of both RL Stine's Goosebumps and JK Rowling's Harry Potter series will find scares, magic, and adventure aplenty within pages of THE BOOGEYMAN--a monstrous fairy tale written by Shane Berryhill, author of Chance Fortune and the Outlaws.

In the 1978 horror film classic Halloween, little Tommy Doyle asks his babysitter Laurie Strode "what is the Boogeyman?" This book answers this question by assessing the qualities that create the Boogeyman persona in Western popular culture particularly in the fairytale and the modern horror film. Using an archetypal approach derived from the work of Carl Jung and his successors Erich Neumann and Edgar Herzog, the book assesses the figure of the Boogeyman through an interdisciplinary lens that incorporates research from the fields of psychology, philosophy, and film studies. The book begins with an examination of the key traits associated with Bluebeard, a quintessential example of the folkloric Boogeyman featured in Charles Perrault's 1697 collection of fairytales. Through an intense comparative analysis, it highlights the presence of similar qualities in the popular villains from the contemporary American slasher movies of the 1970s and '80s. Specifically, these characters include Michael Myers from Halloween (1978), Jason Voorhees of Friday the 13th (1980), and Freddy Krueger featured in A Nightmare on Elm Street (1984). This examination situates these terrifying antagonists within a larger context of monstrosity and simultaneously establishes their role as cinematic manifestations of the folkloric Boogeyman.

A woman learns to follow her own road in this heartwarming novel inspired by The Wizard of Oz by New York Times bestselling author Virginia Kantra. Dorothy “Dee” Gale is searching for a place to belong. After their globe-trotting mother’s death, Dee and her sister Toni settled with Uncle Henry and Aunt Em in Kansas, where Dee attends graduate school. But when Dee’s relationship with a faculty member, a bestselling novelist, ends in heartbreak and humiliation, she’s caught in a tornado of negative publicity. Unable to face her colleagues—or her former lover—Dee applies to the writing program at Trinity College Dublin. Dee’s journey to Ireland leads her to new companions: seemingly brainless Sam Clery—who dropped out of college and now runs a newsagent’s shop—is charming and hot, in a dissolute, Irish poet kind of way; allegedly heartless Tim Woodman—who stiffly refused to take back his ex-fiancée—seems stuck in his past; and fiercely loyal Reeti Kaur, who longs for the courage to tell her parents she wants to teach underprivileged girls rather than work in the family business. In a year of opportunities and changes, love and loss, Dee is mentored by powerful women in the writing program, challenging her to see herself and her work with new eyes. With her friends, Dee finds the confidence to confront her biggest fears—including her intimidating graduate advisor, who may not be so wicked after all. Faced with a choice with far-reaching consequences, Dee must apply the lessons she’s learned along the way about making a family, finding a home...and recognizing the power that’s been inside her all along.

Ogres and giants, bogeymen and bugaboos embody some of our deepest fears, dominating popular fiction, from tales such as 'Jack the Giant Killer' to the cannibal monster Hannibal Lecter, from the Titans of Greek mythology to the dinosaurs of JURASSIC PARK, from Frankenstein to MEN IN BLACK. Following her brilliant study of fairy tales, FROM THE BEAST TO THE BLONDE, Marina Warner's enthralling new book explores the ever increasing presence of such figures of male terror, and the stratagems we invent to allay the monsters we conjure up. From ogres to cradle songs, from bananas to cannibals, Warner traces the roots of our commonest anxieties, unravelling with vigorous intelligence, originality and relish, the myths and fears which define our sensibilities. Illustrated with a wealth of images - from the beautiful and the bizarre to the downright scary - this is a tour de force of scholarship and imagination.

For as long as he can remember, 14-year-old Joshua Blevins has wanted to be a superhero. There's only one problem: he doesn't have any superpowers. However, Josh isn't about to let that stop him.

Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wick explores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world—or rather, worlds—it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wick celebrates and complicates the cult phenomenon that is John Wick.