Disturbing and sensuous, Audrée Wilhelmy’s tale of a hermetic family minding a lighthouse in willed isolation is reminiscent of William Golding’s Lord of the Flies. The Body of Beasts is a startling, gorgeously written novel that tells the story of the Borya family living in isolation. Their lives are altered when young Osip, peering from the lighthouse gallery sees a woman, Noé, arrive — her dress scant, her skin curiously scarred, and her manner mysterious and wild. Noé bears a child, Mie, to the eldest son on whose hunter-gathering the Borya family depends. She lives in a cabin on her own and covers the walls with drawings that allude to her mysterious life. The family’s entrenchment in nature is enthrallingly conveyed in young Mie’s sensuous ability to borrow at will the body of mammals, birds, fish, and insects. Her shape-shifting allows her to know the ways of the natural world, though only to a point. When her own awakening body starts to intrigue her, she asks her uncle Osip to “teach me human sex.” The Body of the Beasts is an imaginative tour de force, a beautifully described portrait of a world that exists outside of words; an uninhibited and erotic novel that, in the singular tradition of Québécois Boreal Gothic, explores our humanity — and animal nature.

A preeminent medievalist presents a wonderful catalog of real and fanciful beasts, including the manticore, griffin, phoenix, amphivius, jaculus, and many other exotic animals. White's witty, erudite commentary on scientific and historical aspects enhances this survey of proto-zoology on which science is based and pre-scientific perceptions of the earth's creatures. 128 black-and-white illustrations.

Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.

Your body is amazing. It keeps you alive and carries you around every day. But how much do you really know about what’s going on beneath the surface? Jump on board and take a journey under your skin, through your insides, and back in time to explore milestones in medicine and the latest scientific discoveries about the human body. Why is snot green? How does skin heal itself? Why did Ancient Romans use their pee to try to whiten their teeth? Packed full of disgusting and delightful facts, this book contains the amazing answers to these questions and more. Filled with bite-sized chunks of information, The Body Book covers everything from the brain, skull, and mental health, through to how your body protects itself and how surgery has evolved through the ages. Other topics include what poop can tell us about the body, a timeline of pandemics through history, and amazing recent medical advances such as 3-D-printed prosthetic limbs. The Body Book is an ideal introduction to human anatomy and the history of medical advances. Perfect for budding young scientists, doctors, and nurses!

A bright, talented junior at Catamount College in the druggy 1970s, Gillian Brauer strives to realise more than a poet's craft in her workshop with the charismatic, anti-establishment professor Andre Harrow. For Gillian has fallen in love - with Harrow, with his aesthetic sensibility and bohemian lifestyle, with his secluded cottage, with the mystique of his imposing, russet-haired French wife, Dorcas. A sculptress, Dorcas has outraged the campus and alumnae with the crude, primitive, larger than life-sized wooden totems that she has exhibited under the motto 'We are beasts and this is our consolation'.As if mesmerised, Gillian enters the rarefied world of the Harrows. She is special, even though she knows her classmates have preceded her here. She is helpless. She is powerful. And she will learn in full the meaning of Dorcas' provocative motto . . .

What is, what was the human? This book argues that the making of the human as it is now understood implies a renegotiation of the relationship between the self and the world. The development of Renaissance technologies of difference such as mapping, colonialism and anatomy paradoxically also illuminated the similarities between human and non-human. This collection considers the borders between humans and their imagined others: animals, women, native subjects, machines. It examines border creatures (hermaphrodites, wildmen and cyborgs) and border practices (science, surveying and pornography).

Set in rural Japan shortly after World War II, this gripping novel tells the story of a strange and utterly absorbing love triangle that leads to psychological self-entrapment, seduction, and murder. • “A compelling tale of love and violence.” —The Washington Post “Mishima is a giant.... One of the most acclaimed writers of the 20th century.” —The New York Times Book Review Translated into English for the first time, this novel is about an affair gone wrong between a former university student, Kōji; his would-be mentor, the eminent literary critic Ippei Kusakado; and Ippei's beautiful, enigmatic wife, Yūko. When brought face-to-face with one of Ippei's many marital indiscretions, Kōji finds his growing desire for Yūko compels him to action in a way that changes all three of their lives profoundly. Originally published in 1961 and now available in English for the first time, The Frolic of the Beasts is a haunting examination of the various guises we assume throughout our lives.