The theme of the body-and-soul relationship in medieval texts and in modern reworkings of medieval matter is explored in the articles here, specifically the representation of the body in romance; the relevance of bawdy tales to the cultural experience of authors and readers in the middle ages; the function of despair, or melancholy, in medieval and Renaissance literature; and the political significance of late medieval representations of `bodies' in the chroniclers' accounts of the Rising and in Gower's poems. Two articles are devoted to modern retellings of medieval themes: John Foxe's 'Acts and Monuments', seen in relation to the traditional 'acta martyrum', and the medieval revival in Tory Britain exemplified in Douglas Oliver's 'The Infant and the Pearl'. Contributors: PAMELA JOSEPH BENSON, NIGEL S. THOMPSON, JON WHITMAN, JEROME MANDEL, BARBARA NOLAN, YASUNARI TAKADA, YVETTE MARCHAND, ROBERT F. YEAGER, JOERG O. FICHTE, JOHN KERRIGAN

A crucial question throughout the Middle Ages, the relationship between body and spirit cannot be understood without an interdisciplinary approach – combining literature, philosophy and medicine. Gathering contributions by leading international scholars from these disciplines, the collected volume explores themes such as lovesickness, the five senses, the role of memory and passions, in order to shed new light on the complex nature of the medieval Self.

A crucial question throughout the Middle Ages, the relationship between body and spirit cannot be understood without an interdisciplinary approach – combining literature, philosophy and medicine. Gathering contributions by leading international scholars from these disciplines, the collected volume explores themes such as lovesickness, the five senses, the role of memory and passions, in order to shed new light on the complex nature of the medieval Self.

In medieval allegory, Body and Soul were often pitted against one another in debate. In Body Against Soul: Gender and Sowlehele in Middle English Allegory, Masha Raskolnikov argues that such debates function as a mode of thinking about psychology, gender, and power in the Middle Ages. Neither theological nor medical in nature, works of sowlehele (“soul-heal”) described the self to itself in everyday language—moderns might call this kind of writing “self-help.” Bringing together contemporary feminist and queer theory along with medieval psychological thought, Body Against Soul examines Piers Plowman, the “Katherine Group,” and the history of psychological allegory and debate. In so doing, it rewrites the history of the Body to include its recently neglected fellow, the Soul. The topic of this book is one that runs through all of Western history and remains of primary interest to modern theorists—how “my” body relates to “me.” In the allegorical tradition traced by this study, a male person could imagine himself as a being populated by female personifications, because Latin and Romance languages tended to gender abstract nouns as female. However, since Middle English had ceased to inflect abstract nouns as male or female, writers were free to gender abstractions like “Will” or “Reason” any way they liked. This permitted some psychological allegories to avoid the representational tension caused by placing a female soul inside a male body, instead creating surprisingly queer same-sex inner worlds. The didactic intent driving sowlehele is, it turns out, complicated by the erotics of the struggle to establish a hierarchy of the self's inner powers.