It was a tank battle exceeded in size and significance only by the famous defeat of Germany’s Panzer force near Kursk in 1943. And yet, little is known about this weeklong clash of more than two thousand Soviet and German tanks in a stretch of northwestern Ukraine that came to be known as the “bloody triangle.” This book offers the first in-depth account of this critical battle, which began on 24 June 1941, just two days into Operation Barbarossa, Hitler's invasion of the Soviet Union. Author Victor Kamenir describes the forces arrayed against each other across that eighteen-hundred-square-mile-triangle in northwestern Ukraine. Providing detailed orders of battle for both Wehrmacht and Red Army Forces and contrasting the strengths and weaknesses of the Soviet and German tanks, he shows how the Germans slowly and decisively overwhelmed the Russians, apparently opening the way to Moscow and the ultimate defeat of the Soviet Union. And yet, as Kamenir’s account makes clear, even at this early stage of the Russo-German war the Soviets were able to slow down and even halt the Nazi juggernaut. Finally, the handful of days gained by the Red Army did prove to have been decisive when the Wehrmacht attack stalled at the gates of Moscow in the dead of winter, foreshadowing the end for the Germans.

DigiCat Publishing presents to you this special edition of "The Romance of the Red Triangle" (The story of the coming of the red triangle and the service rendered by the Y.M.C.A. to the sailors and soldiers of the British Empire) by Arthur K. Yapp. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The first in-depth account of one of the great tank battles of WWII, when more than 2000 German and Soviet tanks met in northwestern Ukraine in 1941.

In early medieval Scotland bitter rivalry grew up between two immigrant families from Flanders in their struggle for the crown: the Stewarts and the Douglases. This work covers the period from 1286 to what may be thought of as the "final" defeat of the Stewarts at Culloden in 1745.

“Monumental… [A] vast and detailed study that is surely the finest single-volume history of World War II. Richard Overy has given us a powerful reminder of the horror of war and the threat posed by dictators with dreams of empire.” – The Wall Street Journal A thought-provoking and original reassessment of World War II, from Britain’s leading military historian A New York Times bestseller Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. As one of Britain’s most decorated and respected World War II historians, he argues that this was the “last imperial war,” with almost a century-long lead-up of global imperial expansion, which reached its peak in the territorial ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and costliest war in human history and the end, after 1945, of all territorial empires. Overy also argues for a more global perspective on the war, one that looks broader than the typical focus on military conflict between the Allied and Axis states. Above all, Overy explains the bitter cost for those involved in fighting, and the exceptional level of crime and atrocity that marked the war and its protracted aftermath—which extended far beyond 1945. Blood and Ruins is a masterpiece, a new and definitive look at the ultimate struggle over the future of the global order, which will compel us to view the war in novel and unfamiliar ways. Thought-provoking, original and challenging, Blood and Ruins sets out to understand the war anew.

What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siècle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain’s continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.