"Grand Guignol holiday humor...biliously funny...an ingenious and gory delight." - Daily Telegraph

"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.

Cover -- Half-Title -- Title -- Copyright -- Contents -- Preface -- PART I: The Prehistory and Production of The Bloody Theater -- CHAPTER 1. Anabaptism: Origins, Spread, and Persecution -- CHAPTER 2. Memorializing Martyrdom before The Bloody Theater -- CHAPTER 3. Thieleman van Braght and the Publication of The Bloody Theater -- CHAPTER 4. The Bloody Theater: Martyr Stories and More -- PART II: Van Braght's Martyrology through the Years -- CHAPTER 5. The Bloody Theater Illustrated: The 1685 Martyrs Mirror -- CHAPTER 6. A North American Edition: The 1748-49 Ephrata Martyrs Mirror

What happens when a five-century tradition of Christian pacifism no longer needs Jesus to support nonviolence? Why does secularity cause this dilemma for Mennonites in their theology of peace? Layton Boyd Friesen offers an ancient theology and spirituality of incarnation as the church's response to the non-resistance of Christ. He explores three key aspects of von Balthasar's Christology to help Mennonite peace theology regain its momentum in the secular age with a contemplative union with Christ. This volume argues that the way to regain a Christ-formed pacifism within secularity is to contemplate and enter the mystery unveiled in the Chalcedonian Definition of Christ, as interpreted by Hans Urs von Balthasar. In this mystery, the believer is drawn into real-time participation in Christ's encounter with the secular world.