For poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can’t Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past—she will always see blood on the leaves.

'The Blood Tree is a high-throttle journey through the realms of light and dark. It gives readers a glimpse into the angels that both safeguard and exploit humanity.'

Based on the Port St. Lucie Legend Back in the 1970s, a series of bizarre incidents occurred at what has since been known as "The Devil Tree." Beneath this ancient denizen, evil was wrought by a sick serial killer, calling upon forces most evil and dark. People were hung there ... and bodies buried there ... exhumed by the police. Overcome by superstition, some tried to cut down the tree, to no avail. Since then, it has stood in a remote section of a local park—left to its own devices—quiet in its eerie repose—until now! Bestselling psychological-thriller author Keith Rommel has imagined the whole tale anew. He's brought the tree to life and retold the tale with gory detail only possible in a fiction novel. Action-packed, with spine-tingling detail, this thriller is beyond parallel in the ground it uncovers ... one author's explanation of what may have really been said—what may have really happened—under Port St. Lucie's "Devil Tree."

Independent Edinburgh, 2026. The birth-rate is down in the Council’s ‘perfect city’ and gangs of disaffected kids roam the streets. A break-in at the former Scottish Parliament archive is rapidly followed by two gruesome murders, the victims mutilated and covered in blood-drenched branches. Renegade investigator Quintilian Dalrymple’s subsequent enquiries take a new twist when Edinburgh’s brightest teenagers are abducted to the much-feared democratic city-state of Glasgow. What Quint finds there will change his life forever ...

A land in chaos. A city in ruins. Finn must reach the place where it all began, her peaceful meadow in Greenswallow, hoping to set right the wrongs of her past. Traveling forward blindly, she only wants to retrieve her memories and help Iseult, but little does she know, the fate of men and Faie alike hangs by a string, ready to be plucked by her fingers alone.

Mike Sullivan loves his adopted city of San Francisco, and he loves trees. In The Trees of San Francisco he has combined his passions, offering a striking and handy compendium of botanical information, historical tidbits, cultivation hints, and more. Sullivan's introduction details the history of trees in the city, a fairly recent phenomenon. The text then piques the reader's interest with discussions of 71 city trees. Each tree is illustrated with a photograph--with its common and scientific names prominently displayed--and its specific location within San Francisco, along with other sites; frequently a close-up shot of the tree is included. Sprinkled throughout are 13 sidelights relating to trees; among the topics are the city's wild parrots and the trees they love; an overview of the objectives of the Friends of the Urban Forest; and discussions about the link between Australia's trees and those in the city, such as the eucalyptus. The second part of the book gets the reader up and about, walking the city to see its trees. Full-page color maps accompany the seven detailed tours, outlining the routes; interesting factoids are interspersed throughout the directions. A two-page color map of San Francisco then highlights 25 selected neighborhoods ideal for viewing trees, leading into a checklist of the neighborhoods and their trees.

In the late 1630s, lured by the promise of the New World, Andrea Stuart’s earliest known maternal ancestor, George Ashby, set sail from England to settle in Barbados. He fell into the life of a sugar plantation owner by mere chance, but by the time he harvested his first crop, a revolution was fully under way: the farming of sugar cane, and the swiftly increasing demands for sugar worldwide, would not only lift George Ashby from abject poverty and shape the lives of his descendants, but it would also bind together ambitious white entrepreneurs and enslaved black workers in a strangling embrace. Stuart uses her own family story—from the seventeenth century through the present—as the pivot for this epic tale of migration, settlement, survival, slavery and the making of the Americas. As it grew, the sugar trade enriched Europe as never before, financing the Industrial Revolution and fuelling the Enlightenment. And, as well, it became the basis of many economies in South America, played an important part in the evolution of the United States as a world power and transformed the Caribbean into an archipelago of riches. But this sweet and hugely profitable trade—“white gold,” as it was known—had profoundly less palatable consequences in its precipitation of the enslavement of Africans to work the fields on the islands and, ultimately, throughout the American continents. Interspersing the tectonic shifts of colonial history with her family’s experience, Stuart explores the interconnected themes of settlement, sugar and slavery with extraordinary subtlety and sensitivity. In examining how these forces shaped her own family—its genealogy, intimate relationships, circumstances of birth, varying hues of skin—she illuminates how her family, among millions of others like it, in turn transformed the society in which they lived, and how that interchange continues to this day. Shifting between personal and global history, Stuart gives us a deepened understanding of the connections between continents, between black and white, between men and women, between the free and the enslaved. It is a story brought to life with riveting and unparalleled immediacy, a story of fundamental importance to the making of our world.