RECORD STORE DAY EDITION: Signed book + exclusive red-colored 7-inch containing unreleased music from the 1980 cult slasher Prom Night._____Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch? You're not alone. Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist, and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more. Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker. Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

William G. Gray was a real magician, a kind of primeval spirit who worked his magic as an extension of the Life Force, not as a sop to ego. He reeked of psychism like he often reeked of incense, could give you the uncomfortable feeling that he could see right through you and beyond, and had been to places in spirit that we could scarcely imagine. Many of the books on magic and the Qabalah which appear today owe a huge if unrecognised debt to his pioneering writing. If there is anything evolutionary about the current urge to work with harmonic energies within the Earth and ourselves - whether through green eco-movements, the Celtic Revival or the Wiccan arts - then it is due in no small degree to the work that was done by an old bastard who lived near the bus station in a town in Gloucestershire. Bill Gray met and worked with many of the most important figures in the British esoteric scene. His boyhood meetings with Dion Fortune and Aleister Crowley are described here in his own words, along with his personal recollections of working magic with Pat Crowther, Doreen Valiente, Ronald Heaver, Robert Cochrane and many others. This lively, entertaining and authoritative biography tells the story of how a difficult, psychic child grew into a powerful adept who challenged established and stagnating traditions within paganism, magic and Qabalah alike, and revitalised them from within - often falling out with those he worked with but maintaining their affection and respect. Generously illustrated with photographs, many never published before, the book also includes contributions by R.J. Stewart, Gareth Knight, Evan John Jones, Marcia Pickands and Jacobus Swart, plus, of course, W.G. Gray himself.

This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.