No synopsis or comparison can convey the novel's lyric comedy or, indeed, its sinister power—sinister because of the strength of will Cyril exerts over his wife, his mistress, his wife's reluctant lover; lyric, since he is also a “sex-singer" in the land where music is the food of love. "Need I insist that the only enemy of the mature marriage is monogamy? That anything less than sexual multiplicity . . . is naive? That our sexual selves are merely idylers in a vast wood?" Thus the central theme of John Hawkes's widely acclaimed novel The Blood Oranges is boldly asserted by its narrator, Cyril, the archetypal multisexualist. Likening himself to a white bull on Love's tapestry, he pursues his romantic vision in a primitive Mediterranean landscape. There two couples—Cyril and Fiona, Hugh and Catherine—mingle their loves in an "lllyria" that brings to mind the equally timeless countryside of Shakespeare's Twelfth Night.

"Rich, evocative, highly original piece of fiction. It gilds contemporary American literature with real, not synthetic, gold." Anthony Burgess

My name’s Quinn. If you buy into my reputation, I’m the most notorious demon hunter in New England. But rumors of my badassery have been slightly exaggerated. Instead of having kung-fu skills and a closet full of medieval weapons, I’m an ex-junkie with a talent for being in the wrong place at the right time. Or the right place at the wrong time. Or…whatever. Wanted for crimes against inhumanity I (mostly) didn’t commit, I was nearly a midnight snack for a werewolf until I was “saved” by a vampire calling itself the Bride of Quiet. Already cursed by a werewolf bite, the vamp took a pint out of me too. So now…now, well, you wouldn’t think it could get worse, but you’d be dead wrong.

Catherine Cross is the most successful female televangelist in the country. Her congregation in the western suburbs of Orlando one of the wealthiest. She's comfortable and charismatic in front of a camera, but when her youngest daughter goes missing not even she is ready for the media firestorm that follows. With her mother more concerned about the family's public image than bringing her daughter home, it's up to Emily, the oldest child and black sheep of their Christian family, to try to discover the truth. But when a strange series of deaths on an orange farm outside of town seems to be connected to her missing sister, the case is turned on its head, and Emily must face the shocking family secrets it took to build her mother's empire.