Juan Gallardo rises to the position of a torero from a humble background. His passion and courage for bull-fighting makes him a hero and determines his destiny. But is that all to Gallardo's life? Excerpt: "It was a number of years ago, not long after he had been given "the alternative" in the bull-ring of Madrid, that he came to lodge at a certain hotel on Alcalá Street where his hosts treated him as if he were one of the family, and the dining-room servants, porters, scullions, and old waiters adored him as the glory of the establishment. There, too, he had spent many days wrapped in bandages, in a dense atmosphere heavy with the smell of iodoform, in consequence of two gorings, but the unhappy recollection did not weigh upon him…"

“Fresh perspectives [on] the study of the Roman amphitheater . . . providing important insights into the psychological dimensions” of gladiatorial combat (Classical World). From the center of Imperial Rome to the farthest reaches of ancient Britain, Gaul, and Spain, amphitheaters marked the landscape of the Western Roman Empire. Built to bring Roman institutions and the spectacle of Roman power to conquered peoples, many still remain as witnesses to the extent and control of the empire. In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces. Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial competition took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial show and its place within the highly politicized cult practice of the Roman Empire.

Citizenship in a Republic is the title of a speech given by Theodore Roosevelt, former President of the United States, at the Sorbonne in Paris, France, on April 23, 1910. One notable passage from the speech is referred to as "The Man in the Arena": It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better.

"From the lowest ranks of poverty to unprecedented heights of riches and popular acclaim-thus was the career of Juan Gallardo, Spanish bull fighter. In telling his story, Ibanez has achieved a novel even more dramatic and powerful than his legendary Four Horsemen. From his boyhood Juan longed to be a bull fighter and, as he climbs the ladder step by step, the reader lives with him in the very atmosphere of the arena. No detail of the picture is spared-one can see and almost hear the actual battle-the crowds-the many characters that stream through the pages. And Juan himself, with his vanities, his superstitions, his daring attacks, his wounds and recoveries, emerges as real, vital and colorful as the sport to which he and many others dedicated their lives."--Goodreads

As a modern gladiator's daughter, Lyn and her family live by the rules of the Gladiator Sports Association. But those rules can turn against you. When Lyn's seventh father dies in the ring, his opponent, Uber, captures Lyn's dowry bracelet-and her hand in marriage. To win her freedom, Lyn will do what no girl has done before: enter the arena and fight her father's murderer-even though she's falling in love with him.