Stephen Goodwin's second novel is an emblematic tale of the sixties, of a sophisticated couple going back to the land. The restlessness that compels Anna and Steadman to move from the city to a small mountain farm in Virginia is brought into high relief by the cycles of the natural world, and by the arrival of Anna's demonic twin sister. Goodwin's prose, by turns stark and pastoral, outlines these struggles while leavening them with self-effacing humor and beauty. Peopled with hippies and mountain folk, artists and farmers both organic and traditional, not to mention an unforgettable child, The Blood of Paradise evokes an era through a sensitive and unstinting portrait of marriage.

Discover the debut novel of James Lee Burke, before the creation of his now-famous Cajun detective, Dave Robicheaux , as he weaves together the struggles of three very different men. Toussaint Boudreaux, a black docker in New Orleans, puts up with his co-workers' racism because he has to, and moonlights as a prize-fighter in the hope of a better life-but the only break he gets lands him in penal servitude. J.P. Winfield, a hick with a gift for twelve-string guitar, finds his break into show-biz leads to the flipside of the American dream. Avery Broussard, descendant of an aristocratic French family, runs whiskey when what remains of his land is repossessed... The interlocking stories of these three men are an elegy to the realities of life in 1950s Louisiana, their destinies fixed by the circumstances of their birth and time. Yet each carries the hope of redemption...

The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times

Beginning with conquistador Ferdinand DeSoto's fateful encounter with Indians of the southeast in the 1500s, A Paradise of Blood: The Creek War of 1813-14 by Howard T. Weir, III, narrates the complete story of the cultural clash and centuries-long struggle for this landscape of stunning beauty. Using contemporary letters, military reports, and other primary sources, the author places the Creek War in the context of Tecumseh's fight for Native American independence and the ongoing war between the United States and European powers for control of North America.

Edgar Award Finalist: In El Salvador, a young American faces his troubled past—and a dangerous present. Jude McManus has landed on his feet. Following time in the army, he scored work as an “executive protection specialist” in El Salvador, where he safeguards a hydrologist for good money and gets to surf during his downtime. But this slice of paradise comes with post-civil-war dangers, and distance won’t erase his cruel memories of Chicago. Ten years earlier, his cop father was outed as part of the Laugh Masters, a group of police officers investigated for robbing and brutally beating drug dealers. In the wake of the scandal, the family fell apart, and his father died under suspicious circumstances. When McManus gets a call from Bill Malvasio—one of his dad’s closest friends and an escaped member of the Laugh Masters, now living in El Salvador—the past comes knocking in a big way. Malvasio opens up about what really happened, and seeks help for another member of McManus’s father’s old crew. Is the disgraced ex-cop being straight with McManus? Hidden corruption abounds, and it will take all of McManus’s wits to come away with the truth—and his life—intact.

Most people have a skewed vision of what heaven is or what heaven was or will be like. They tend to picture angels floating around, some having harps and some having bows and arrows but none of them actually having a life. To many people, heaven sounds like a boring place and there is little desire to go there although it's much better than...

He collected beautiful things. Rare things. Ripped them out of their natural environment and preserved them in all of their dead splendor. The problem was I wasn't beautiful. I was all of the hideous and ugly realities of the world packaged into one broken human being. He came to kill me. That was his business. Death. He ripped me out of my natural environment, the prison I'd created, and locked me away with all of his beautiful dead things. I hated him. I still hate him. But if I was given the choice and the ability to leave this cage, come back to life, I'd stay dead. In all of my hideous splendor. Because my murderer can only possess dead things. And I can only be possessed by someone more broken and ugly than me.