“[A] sophisticated and intelligent high fantasy epic.”—Publishers Weekly The legendary Briar King has awakened, spreading madness and destruction across a land devastated by a royal family’s fall from power through treachery and dark magic. Half-remembered prophecies may point to the young princess Anne Dare, rightful heir to the throne of Crotheny, as the world’s only hope. But a mysterious assassin stalks her, so skilled that even Anne’s friend and protector Cazio cannot stand against him, nor can her sworn defender, the young knight Neil MeqVren. Though Anne herself is the conduit of fearsome powers beyond her understanding and control, it is time for girl to become woman, princess to become queen. Anne must stop running and instead march at the head of an army to take back her kingdom . . . or die trying. Praise for The Kingdoms of Thorn and Bone “A graceful, artful tale . . . a snare ofterse imagery and compelling characters that grips tightly and never lets up.”—Elizabeth Haydon, author of The Assassin King, on The Briar King “There is adventure and intrigue, swordplay anddark sorcery aplenty.”—Realms of Fantasy, on The Charnel Prince

“[A] sophisticated and intelligent high fantasy epic.”—Publishers Weekly The legendary Briar King has awakened, spreading madness and destruction across a land devastated by a royal family’s fall from power through treachery and dark magic. Half-remembered prophecies may point to the young princess Anne Dare, rightful heir to the throne of Crotheny, as the world’s only hope. But a mysterious assassin stalks her, so skilled that even Anne’s friend and protector Cazio cannot stand against him, nor can her sworn defender, the young knight Neil MeqVren. Though Anne herself is the conduit of fearsome powers beyond her understanding and control, it is time for girl to become woman, princess to become queen. Anne must stop running and instead march at the head of an army to take back her kingdom . . . or die trying. Praise for The Kingdoms of Thorn and Bone “A graceful, artful tale . . . a snare ofterse imagery and compelling characters that grips tightly and never lets up.”—Elizabeth Haydon, author of The Assassin King, on The Briar King “There is adventure and intrigue, swordplay anddark sorcery aplenty.”—Realms of Fantasy, on The Charnel Prince

“[A] sophisticated and intelligent high fantasy epic.”—Publishers Weekly The legendary Briar King has awakened, spreading madness and destruction across a land devastated by a royal family’s fall from power through treachery and dark magic. Half-remembered prophecies may point to the young princess Anne Dare, rightful heir to the throne of Crotheny, as the world’s only hope. But a mysterious assassin stalks her, so skilled that even Anne’s friend and protector Cazio cannot stand against him, nor can her sworn defender, the young knight Neil MeqVren. Though Anne herself is the conduit of fearsome powers beyond her understanding and control, it is time for girl to become woman, princess to become queen. Anne must stop running and instead march at the head of an army to take back her kingdom . . . or die trying. Praise for The Kingdoms of Thorn and Bone “A graceful, artful tale . . . a snare ofterse imagery and compelling characters that grips tightly and never lets up.”—Elizabeth Haydon, author of The Assassin King, on The Briar King “There is adventure and intrigue, swordplay anddark sorcery aplenty.”—Realms of Fantasy, on The Charnel Prince

The emergence of symbolic culture is generally linked with the development of the hunger-gatherer adaptation based on a sexual division of labor. This original and ingenious book presents a new theory of how this symbolic domain originated. Integrating perspectives of evolutionary biography and social anthropology within a Marxist framework, Chris Knight rejects the common assumption that human culture was a modified extension of primate behavior and argues instead that it was the product of an immense social, sexual, and political revolution initiated by women. Culture became established, says Knight, when evolving human females began to assert collective control over their own sexuality, refusing sex to all males except those who came to them with provisions. Women usually timed their ban on sexual relations with their periods of infertility while they were menstruating, and to the extent that their solidarity drew women together, these periods tended to occur in synchrony. The result was that every month with the onset of menstruation, sexual relations were ruptured in a collective, ritualistic way as the prelude to each successful hunting expedition. This ritual act was the means through which women motivated men not only to hunt but also to concentrate energies on bringing back the meat. Knight shows how this hypothesis sheds light on the roots of such cultural traditions as totemic rituals, incest and menstrual taboos, blood-sacrifice, and hunters’ atonement rites. Providing detailed ethnographic documentation, he also explains how Native American, Australian Aboriginal, and other magico-religious myths can be read as derivatives of the same symbolic logic.

As Faith Reynolds enters her freshman year of college, she is a complete and utter nervous wreck. With her best friend Derek suddenly pulling out the romance card and her dark, mysterious classmate staring her down at every turn, Faith somehow feels stuck in the middle without dating either one. And fortune may or may not be with her when a devilshly sexy stranger offers her a welcome escape. Boys, romance, classes, and annoying roommates are all within the realm of the expected for a college frosh. Trying to solve the mysterious murders of young college coeds near campus is not. Darkness seems to be creeping into every corner of Faith's life, no matter the hour. And when she seeks the truth, danger seems to be the only thing that finds her. Faith is well aware of the strange currents in the air, particularly when she sets off static sparks with everything she touches. Before long, she finds herself entrenched in the deep-seeded battle between werewolves and vampires. The war has reached the tipping point, and Faith has the power to determine where the scales fall. But the most important question may be with whom does her loyalty lie? Deliciously suspenseful and immediately addictive, Blood on the Moon features a headstrong heroine and all of the thrills, chills, and otherworldly boys with deadly charm that a human could ask for.

The first novel of Kurtzs Knights of the Blood series is back in print for the first time in more than ten years. When an L.A. policeman investigates an unusual murder, hes led back in time to a secret order of vampires, and the vampire knights who oppose them. Reissue.

The true story of Katherine Knight, the mother and abattoir worker who became Australia's worst female killer. A must for true crime fans. 'There are murders and there are murders. There are bodies and there are bodies, and then there's what lies waiting behind the front door of the little brick house with its blinds drawn and air conditioner droning on, working against the oppressive Hunter Valley heat. A glimpse into the dark, cockroach corners of the soul. A lot of the blokes at the scene that day will never be the same.' On 29 February 2000, Katherine Knight committed an unspeakable act. A mother of four and a grandmother, she seduced and then stabbed John Price 37 times. A former abattoir worker, she skinned him. A loving partner, she cooked him with vegetables, making a soup with his head. Made gravy. Left him on plates for his family. Why? Pricey was her de facto and he wanted out. She didn't like that. People said that most of the time Katherine Knight seemed normal, until she got angry. She was judged to be legally sane when she committed a crime so horrible that the media shied away from the detail. Journalist Peter Lalor covered the trial and wanted to know what made Knight go way over the borderline. In this unflinching account he uncovers the layers of her dysfunction, opening the door of 84 St Andrews Street and taking us into the lives of Knight's ex-partners, her family and the locals of Aberdeen, NSW. Katherine Knight is currently the only woman serving a life sentence in Australia. She is never to be released.