TAKE YOUR SEAT FOR AN EPIC BLOCKBUSTER! Lights, Camera, Action...! Join 3D Freddie and Popcorn Sally for the Bible story, retold as never before. Meet the Bible's best-loved characters through scripts and storyboards, movie posters and social media, acceptance speeches, and interviews with the stars. Discover a wide range of passages from Genesis to Revelation, written in a lively way but staying very close to the original text, complete with cast list, glossary, maps, and timelines. Follow the scene selection cards as a visual guide through the Bible story, and track the theme cards as the three big storylines unfold. Use flashbacks and flash-forwards to see how one Bible event links to another. Check out theblockbusterbible.com for more information.

Sets of seven. 666. The Whore of Babylon and the Seven-headed Beast. How would first-century readers have heard these things? One can get at an answer by asking, How does the Book of Revelation compare with contemporaneous Jewish apocalypses? God's Timetable unlocks the hitherto unseen Jewish background to the Apocalypse based on the seven weeks leading up to Pentecost, the Harvest Feast. The meaning of Revelation suddenly becomes clearer. Stramara situates the Book of Revelation in its original context as a prophetic work regarding the end of the world, the final harvest, and Jesus as the fulfillment of expectations.

For many people, the Bible lies at the heart of their faith, an ageless source of inspiration and guidance. On the other side of the spectrum, trained biblical scholars study the Bible using a variety of modern historical and literary approaches. But there is a wide gap be-tween these two groups of readers, a gap that brings negative consequences for both. Without an awareness of historical context, ordinary readers easily slip into a literal interpretation, while scholars sometimes overlook the deeply personal significance the Bible has for people in churches, synagogues, and Bible study groups. In How to Read the Bible, renowned Harvard Divinity School professor Harvey Cox shows how these different ways of approaching the Bible can be reconciled to the enrichment of all. By discussing a range of biblical books from Genesis to Revelation, he demonstrates how the historical analysis of the Bible, rather than undercutting its spiritual significance, can enhance and deepen it. Drawing on some of the commonly used modes of biblical scholarship, such as archaeology, cultural studies, and literary criticism, Cox opens up a rich, diverse, and contemporary version of scripture, one that wrestles with issues of feminism, war, homosexuality, and race. The result is a Bible that is a timeless but contemporary resource for all.

From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As author Charlotte E. Howell argues in this book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. Programming labeled 'family-friendly' became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Utilizing original case studies and interviews, Divine Programming investigates the development, writing, producing, marketing, and positioning of key series including 7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil, and Preacher. As this book shows, there has historically been a deep ambivalence among television production cultures regarding religion and Christianity more specifically. It illustrates how middle-American television audiences lost significance within the Hollywood television industry and how this in turn has informed and continues to inform television programming on a larger scale. In recent years, upscale audience niches have aligned with the perceived tastes of affluent, educated, multicultural, and-importantly-secular elites. As a result, the televised representation of white Christianity had to be othered, and shifted into the unreality of fantastic genres to appeal to niche audiences. To examine this effect, Howell looks at religious representation through four approaches - establishment, distancing, displacement, and use - and looks at series across a variety of genres and outlets in order to provied varied analyses of each theme.

Profiles both heroes and villains from the Bible, and contains motivational Christian lessons and morals.

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How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.