Shortlisted for the RSL Encore Award 2021 ‘Extraordinary’ – Spectator ‘Powerful’ – Guardian ‘Spellbinding’ – The Tablet As the 1950s draw to a close, and the Cold War escalates, the shape of Drummond Moore's life is changed beyond measure when he strikes up an unlikely friendship with James Carter, a rich and well-connected fellow national serviceman. Carter leads him to Doom Town – an army base that seeks to recreate the effects of a nuclear war – where he meets Gwen, a barmaid with whom he shares an instant connection. Set over sixty years of British history, The Blind Light by Stuart Evers is the compelling story of one family as they deal with the personal and political fallout of their times.

Named a Best Historical Fiction of 2020 Pick by the New York Times A multigenerational story about two families bound together by the tides of history and the bittersweet complexity of love. England, 1959: two young soldiers—Drummond and Carter—form an intense and unlikely friendship at "Doom Town," a training center that recreates the aftermath of atomic warfare. The experience will haunt them the rest of their lives. Years later, Carter, now a high-ranking government official, offers working-class Drummond a way to protect himself and his wife, Gwen, should a nuclear strike occur. Their pact, kept secret, will have devastating consequences for the families they so wish to shield. The Blind Light is a grand, ambitious novel that spans decades, from the 1950s to the present. Told from the perspectives of Drum and Gwen, and later their children, Nate and Anneka, the story brilliantly captures the tenderness and envy of long relationships. As the families attempt to reform themselves, the pressures of the past are visited devastatingly on the present, affecting spouses, siblings, and friends. Stuart Evers writes with literary flair and intellect without ever abandoning the pleasures and emotional intensity of great storytelling. He explores the psychological legacy of nuclear war and social inequality yet finds a delicate beauty in the adventure of making a life in the ruins of the one you lived before.

"Forget that I am deaf and blind and think of me as an ordinary woman," wrote Helen Keller--but she was anything but ordinary. When Helen was growing up, there were no facilities to help handicapped students. Still, she learned to speak, read, and write, attended Radcliffe College, wrote five books, and lectured all over the world. It wasn't enough to prove that she could do anything. Helen wanted other handicapped people to know that they could, too. And Helen achieved her purpose: the world saw a real woman behind the handicaps, and an extraordinary human being behind the legend.

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Explores creative genius and fame through the life of a writer whose search for a muse has led him into dangerous and destructive places.

A NEW YORK TIMES EDITOR'S CHOICE Sixty years after the publication of his first novel, Cat Man, Edward Hogland is publishing his twenty-fifth book at the age of eighty-three. This capstone novel, set in Vermont’s Northeast Kingdom, introduces Press, a stockbroker going blind. Press has lost his job and his wife and is trying to figure out his next move, holed up in his Vermont cabin surrounded by a hippy commune, drug runners, farmers-gone-bust, blood-thirsty auctioneers, and general ne’er-do-wells. Solace and purpose come from the unlikeliest sources as he learns to navigate his new landscape without sight. Hoagland, himself, is going blind, and through this evocative, unsentimental novel, we experience the world closing in around Press, the rising panic of uncertainty, the isolation of exile, the increasing dependence upon the kindness of strangers, and a whole new appreciation of the world just beyond sight. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

‘Love is not consolation, it is light’ From the author of Maps for Lost Lovers and The Wasted Vigil comes a novel set in the months after 9/11, when Western armies invaded Afghanistan—a story of love, hope and grief, of uncorrupted faith and of what it means to be alive. Jeo and his foster-brother Mikal leave their home in Pakistan to help care for wounded Afghans. Within hours of entering the wide-horizoned Afghan landscape, Mikal and Jeo are separated and, emerging from the carnage, Mikal begins his search for Jeo. But his deepest wish is to return home—to the young woman he loves and who loves him, Jeo’s wife. The Blind Man’s Garden maps a place both phantasmally beautiful and chilling. Taking us on a journey from Al Qaeda’s hideouts in Waziristan and American-built military prisons to a family left behind—Mikal’s and Jeo’s blind, regretful father, Jeo’s resolute wife and her superstitious mother—it unflinchingly examines war and brotherhood, devastation, separation and remorse, while celebrating the redemptive power of nature, art and literature.