What if the Jabberwocky fell in love with Alice from Lewis Caroll’s Through the Looking Glass? That’s the question tackled in The Reaping. A Young Adult with an atmospheric Gothic feel, and elements from such classic novels, as Gaston Leroux’s Phantom of the Opera and John Fowles’ The Collector.

Bree Apollo loves chocolate, baking cupcakes, and her neighbor, the hunky and all around popular seventeen-year-old Foster Quinn. After she overhears Foster making fun of her to his friends, she’s devastated. She intends to wallow in grief for a boy that was never hers to begin with, but Austen, her autistic new neighbor has other ideas. He may just be the one to help her move on from Foster.

When it hurts too much to live, how does one find the strength to stay alive and find hope again? Reiko Nakano has a charmed life. Not only does the twenty-three-old come from a life of luxury because of her celebrity parents and supermodel sister, she’s best friends with the biggest brother and sister pop duo in the world- Gio and Gem Grove. But what the public assumes is wrong different because of what Reiko suffers in private. She feels she’s an outcast in her own family because of her ptosis and her social anxiety. She then makes the biggest mistake of her life and tries to turn her lifelong crush on Gio into something more. His cruel rejection after she lets him take her virginity leaves her heartbroken. Reiko hides in the least likely of places- the small town of Albee, Pennsylvania. There she enjoys her anonymity and enrolls in summer classes at Maison University. She hopes she can fit in as a student, but life continues to play tricks on her when she’s hit in the face by a football from one of the most popular boys on campus, Will Forest. But this accidental but memorial meeting will help heal her fragile emotions because Will shows her how special she is to those she meets, including him. She isn’t sure what to make of Will. He’s too nice and sweet, and treats her like gold. She accepts his attempts at romance even though it’s only temporary. But as the summer flies by, she doesn’t want to give Will up, who doesn’t know the truth about her “vacation”. And when Gio arrives in town, and threatens to out Reiko, she has some hard choices to make. Does she come clean to Will so she can decide to finally live on her own terms and embrace the amazing woman Will thinks her to be?

It began with a key. One afternoon in 1956, in the home of the Hitchings family in Battersea, south London, a small silver key appeared on Shirley Hitchings' bed. This seemingly insignificant event heralded the beginning of one of the most terrifying, incredible and mysterious hauntings in British history. The spirit, who quickly became known as 'Donald', began to communicate, initially via tapping sounds, but over time - and with the encouragement of psychical researcher Harold Chibbett, whose case-files appear here – by learning to write. Soon, the spirit had begun to make simply incredible claims about his identity, insisting that he was one of the most famous figures in world history – but what was the truth? Here, for the first time, is the full story, told by the woman right at the heart of it all – Shirley herself.

During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

"A volume of Adorno is equivalent to a whole shelf of books on literature." Susan Sontag

Collected interviews featuring the Nebula Award–winning author and his thoughts on topics like literary criticism, comic books, race, and sexuality. For nearly three decades, Samuel R. Delany’s science fiction has transported millions of readers to the fringes of time, technology, and outer space. Now Delany surveys the realms of his own experience as a writer, critic, theorist, and gay Black man in this collection of written interviews, a type of guided essay. Because the written interview avoids the “mutual presence positioned at the semantic core” of traditional interview, Delany explains, “a kind of cut remains between the participants—a fissure in which the truths there may be more malleable, less rigid.” Within that fissure Delany pursues the breadth and depth of his ideas on language and theory, the politics of literary composition, the experience of marginality, and the philosophical, commercial, and personal contexts of writing today. Gathered from sources as diverse as Diacritics and The Comics Journal, these interviews reveal the broad range of Delany’s thought and interests. “Delany has a unique place in late twentieth century letters. A lifelong inhabitant of the margins, both social and literary, he has used his marginalized status as a lens to focus his astute observations of American literature and society. From these interviews his voice emerges, provocative, precise, and engaging.” —Kathleen Spencer, University of Nebraska “Samuel R. Delany never shies away from contestable positions or provocative opinions. In his fiction, Delany can write like quicksilver, and in lectures or panel discussions, he is easily SF’s most articulate spokesperson in academia. . . . There is much here that is not covered in Delany’s critical or autobiographical writings, and much that anyone seriously interested in SF—or many of Delany’s other favorite topics—ought to consider.” —Locus “Delany is fascinating whether discussing SF, comics, or his experiences as a Black American, and this collection . . . is as entertaining as it is informative.” —Science Fiction Chronicle “Yevgeny Zamyatin? Stanislaw Lem? Forget it! Delany is both, with a lot of Borges and Bruno Schultz thrown in.” —Village Voice