"Darkness isn't one shade, sweetheart." Three centuries ago, Molly Darling's ancestors signed a contract in blood-daemon blood-to protect themselves from harm. On the eve she turns nineteen, Molly leaves for her birthday party against her parent's wishes, sick of their warnings about her "betrothal to a demon." Except that she's very much betrothed, and he's very much a demon-one who's only agreed to the nuptials to use Molly's ancient daemon powers. Brash, arrogant, and built like a Greek god, Tensley Knight keeps showing up to save Molly from otherworldly attacks, only to insult her a moment later. As Molly learns more about the demon world, she realizes two things: that her family's safety depends on a successful marriage, while any chance of freedom she'll ever have calls for Tensley's demise. Yet sometimes Molly spots a tortured soul beyond those liquid grey eyes, and there's no denying the way her skin tingles when Tensley touches it. In Vein of Love, safety requires sacrifice, foe becomes lover, and one must decide whether to kiss...or to kill.

The hotly anticipated ninth novel in the hugely popular Elemental Assassin series finds Gin Blanco on a dangerous mission to rescue a friend. When I say you’re a dead man, take that literally. To me, killing people is like a day at the salon: cut and dry. Well, more like rinse and repeat when you moonlight as the assassin the Spider. But my last spa day ended redder than my freshly painted nails after a twisted Fire elemental and his goons kidnapped my close friend Sophia Deveraux and nearly killed her sister Jo-Jo in the process. Up Ashland’s most dangerous mountains, and deep into the heart of its blackest woods—I’ll track these thugs no matter where they take Sophia. It doesn’t matter what kinds of elemental magic they try to throw at me, my Ice and Stone powers can take the heat and then some. I will get Sophia back, over their dead bodies. Because anybody that hurts Gin Blanco’s family becomes a body.

A new edition of this award-winning modern classic, with an introduction by Tayari Jones (An American Marriage), an excerpt from the never before seen follow-up, and discussion guide. Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money. But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?

'An excellent and intelligent investigation of the realities of urban living that respond to no design or directive... This is a book about the nature of London itself' Peter Ackroyd, The Times A powerful exploration of the seedy side of Victorian London by one of our most promising young historians. In 1887 government inspectors were sent to investigate the Old Nichol, a notorious slum on the boundary of Bethnal Green parish, where almost 6,000 inhabitants were crammed into thirty or so streets of rotting dwellings and where the mortality rate ran at nearly twice that of the rest of Bethnal Green. Among much else they discovered that the decaying 100-year-old houses were some of the most lucrative properties in the capital for their absent slumlords, who included peers of the realm, local politicians and churchmen. The Blackest Streets is set in a turbulent period of London's history when revolution was in the air. Award-winning historian Sarah Wise skilfully evokes the texture of life at that time, not just for the tenants but for those campaigning for change and others seeking to protect their financial interests. She recovers Old Nichol from the ruins of history and lays bare the social and political conditions that created and sustained this black hole which lay at the very heart of the Empire. A revelatory and prescient read about cities, class and inequality, the message at the heart of The Blackest Streets still resonates today.

"A primer for Big Bad City disillusionment, unsparing in its portrayal of New York's debilitating entropy."—The Village Voice. With a new introduction by Jonathan Lethem. First published in 1933, Miss Lonelyhearts remains one of the most shocking works of 20th century American literature, as unnerving as a glob of black bile vomited up at a church social: empty, blasphemous, and horrific. Set in New York during the Depression and probably West's most powerful work, Miss Lonelyhearts concerns a nameless man assigned to produce a newspaper advice column — but as time passes he begins to break under the endless misery of those who write in, begging him for advice. Unable to find answers, and with his shaky Christianity ridiculed to razor-edged shards by his poisonous editor, he tumbles into alcoholism and a madness fueled by his own spiritual emptiness. During his years in Hollywood West wrote The Day of the Locust, a study of the fragility of illusion. Many critics consider it with F. Scott Fitzgerald's unfinished masterpiece The Last Tycoon (1941) among the best novels written about Hollywood. Set in Hollywood during the Depression, the narrator, Tod Hackett, comes to California in the hope of a career as a painter for movie backdrops but soon joins the disenchanted second-rate actors, technicians, laborers and other characters living on the fringes of the movie industry. Tod tries to seduce Faye Greener; she is seventeen. Her protector is an old man named Homer Simpson. Tod finds work on a film called prophetically “The Burning of Los Angeles,” and the dark comic tale ends in an apocalyptic mob riot outside a Hollywood premiere, as the system runs out of control.

A fabulous lost Amazon city once inhabited by women warriors and containing a rare red diamond: it sounded like myth, but archaeologist Jillian Sherwood believed it was real, and she was willing to put up with anything to find it—even Ben Lewis. Ruffian, knock-about, and number one river guide in Brazil, Ben was all man—over six feet of rock-hard muscles that rippled under his khakis, with lazy blue eyes that taunted her from his tanned face. Jillian watched him come to a fast boil when she refused to reveal their exact destination upriver in the uncharted rain forests—and resolved to stand her ground. Neither of them could foresee what the days ahead promised: An odyssey into the fiery heart of passion and betrayal, and a danger that would force them to cast their fates together, immersed in the eternal, unsolved mysteries of love...

Named one of the best books of 2018 by NPR, Real Simple, Lit Hub, The Boston Globe, San Francisco Chronicle, The New York Post, Kirkus Reviews, and The New York Public Library "A saga rich with origin myths, national and personal . . . Castillo is part of a younger generation of American writers instilling literature with a layered sense of identity." --Vogue How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.