Introduction : "I expected the streets to be paved with gold": Anacostia and Washington, DC in the Black Imagination -- Racializing Gentrification through Discourse -- Repositioning Anacostia : Circulating Insider Discourses to Counteract Outsider Views -- "They Ain't Make Improvements for Us" : Place-making with African American Language -- Race, Geography, and Agency East of the River -- Conclusion : Bridging the River.

Bestselling author Alex Kotlowitz is one of this country's foremost writers on the ever explosive issue of race. In this gripping and ultimately profound book, Kotlowitz takes us to two towns in southern Michigan, St. Joseph and Benton Harbor, separated by the St. Joseph River. Geographically close, but worlds apart, they are a living metaphor for America's racial divisions: St. Joseph is a prosperous lakeshore community and ninety-five percent white, while Benton Harbor is impoverished and ninety-two percent black. When the body of a black teenaged boy from Benton Harbor is found in the river, unhealed wounds and suspicions between the two towns' populations surface as well. The investigation into the young man's death becomes, inevitably, a screen on which each town projects their resentments and fears. The Other Side of the River sensitively portrays the lives and hopes of the towns' citizens as they wrestle with this mystery--and reveals the attitudes and misperceptions that undermine race relations throughout America.

A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....

Coretta Scott King - John Steptoe Award winner In this “taut, eloquent first novel” (Booklist, starred review), a young Black boy wrestles with conflicting notions of revolution and family loyalty as he becomes involved with the Black Panthers in 1968 Chicago. The Time: 1968 The Place: Chicago For thirteen-year-old Sam, it’s not easy being the son of known civil rights activist Roland Childs. Especially when his older (and best friend), Stick, begins to drift away from him for no apparent reason. And then it happens: Sam finds something that changes everything forever. Sam has always had faith in his father, but when he finds literature about the Black Panthers under Stick’s bed, he’s not sure who to believe: his father or his best friend. Suddenly, nothing feels certain anymore. Sam wants to believe that his father is right: You can effect change without using violence. But as time goes on, Sam grows weary of standing by and watching as his friends and family suffer at the hands of racism in their own community. Sam beings to explore the Panthers with Stick, but soon he’s involved in something far more serious—and more dangerous—than he could have ever predicted. Sam is faced with a difficult decision. Will he follow his father or his brother? His mind or his heart? The rock or the river?

With wit and moral acuity, with language as persuasive as a river's broad current, Kenneth Sherman confronts the anguish of our past and of our present, and offers us `a harsh contrivance of spirit against death'. Black River is a poetic myth for our time.

30 in American Indian Literature and Critical Studies Series Jacob Nashoba's journey has taken him from his Choctaw homeland in Mississippi to Vietnam and finally to a small reservation in the mountains of eastern Arizona. A tribal ranger, he lives among people far different from any he has known. Balanced precariously between isolation and community, he is drawn to both the fastness of a remote river canyon and the Apaches who have come to be the only family he has. Nashoba's world is peopled by, among others, a bright young man who sells vision quests to romantic tourists, a determined elder whose power makes her a force to be reckoned with on the reservation, a resident anthropologist more "native" than the natives, a corrupt tribal chairman, a former Hollywood extra who shouts at reservation women the scraps of Italian he learned from other "Indian" actors, and the ranger's estranged wife. Confusion and violence follow their encounter with a right-wing militia group training secretly on tribal land. The contrast between these Rambo types and the various Native American characters typifies the sardonic humor running throughout this novel of contemporary Indian identity. Louis Owens, who is of Choctaw-Cherokee-Irish descent, is Professor of English at the University of New Mexico. He is the author of several books, including Other Destinies: Understanding the American Indian Novel and the novels The Sharpest Sight and Bone Game, all published by the University of Oklahoma Press.

Narrowly escaping the imprisonment of his brother, Michael, Gabriel Corrigan, aided by his Harlequin protector Maya, discovers that his long-missing father may still be alive and trapped somewhere in Europe and races against time to find the lost Traveler before his traitor brother and his Brethren allies can destroy him, in the sequel to The Traveler. Reprint.